How many times have I heard someone gushing over their own prose? It’s vomit inducing and leaves me self conscious for most of my day.
I’m not talking about jealousy of another writer’s work, no, I am talking about the real envy that comes when someone seems to enjoy writing. I always took a small measure of comfort in the belief that all writers are masochists.
Setting aside personal time, staring at the blank screen then counting the number of blinks the cursor makes before you type in the next vowel felt necessary.
Then, all of a sudden, I’m confronted with johnny types-a-lot whose sparkling grin,stretched ear to ear, becomes the ultimate slap to all my masochistic endeavors. This wasn’t a tormented soul that gets up every morning, resurrected, to hoist themselves on that black and white cross.
Confronting that early in life sort of gave me the writing jitters. I clammed up at the keyboard, wondering if my pursuits were flawed, or if I was working against something that was innate in others.
Could I be doing this all for the wrong reason? Was I addicted to an aesthetic, a lifestyle of the sagacious old writer in twill concentrated on each pen stroke?
I hate twill, however, I love to be “tormented.” I sought that tortured artist motif and used it as a crutch to avoid my responsibility as a writer. Don’t get me wrong, that doesn’t mean I am unfettered from the struggle of writing, but at least I identified the thing that keeps me from producing. It is so easy to give in to the thrill of production and a day or nights work with actual atrocity. I could be alone in this, but if by some chance you feel this way, I’d advise taking a stronger look at the way you approach coming to the keyboard.
Can mitigating martyrdom help eak out a few more paragraphs? I have been approaching the whole thing in measures. I always want to get a certain number of words for each sitting. If I go over or under, then that is not a loss of my time. The real loss is when I sit on my hands and bemoan my own tortured time plugging away at my latest edition of “Zach, tortured auteur.” Now, I use a simple mantra, “find my time, find my place, find my mindset then write.
Welcome to January’s resolution time! Two weeks is enough time to reflect on 2018 and decide what you might want in 2019 right? That’s right, I’m talking writers’ goals! It’s that fun and dreaded time to commit to completing story X, writing Y amount of words a day, seeking and learning from critical feedback, improving weakness C in your writing, ect. What’s your writing resolution(s)?
It’s been a year since the North Alabama Writers’ Group posted in this blog, and I opened our first post with New Year’s Resolutions. It seems fitting that 365 days later, I offer a reminder that a writers’s group can help you reach those goals.
Why Join a Writers’ Group?
People join writing groups, classes, and programs for many reasons. I think the two primary reasons to join/meet is:
-Improve writing. We are looking for someone to suggest skills and styles we don‘t have. We may need proofreading. We are looking for others to help us past writer’s block. Or maybe we just need another person to tell us we’ve “jumped the shark” or lost reader’s interest.
-Motivate us to keep writing. A constant struggle whether a hobby or full-time is to keep writing and maintain commitment to the one project. We may love that work as we’ve loved nothing else in our lives, but it is difficult to keep working on it and striving for completion. Whether you struggle in the first draft or the second, there is a point where you think “I can‘t do this, no one will see what I’ve done as I do and that‘s the best gift I could give my creation”. A group either through feedback or encouragement helps us get through this struggle of sorrow and ambivalence. They help push us.
A third, perhaps lesser reason to join a writers’ group is to become part of a community. Writing is a lonely journey. It’s nice to get together and speak to others who have the same struggles and maybe the same thought process.
Are There Different Writers’ Groups?
Yes. Some exist to work together on group projects. Other’s give out weekly assignments, like a class, and they ask everyone to produce something from a related theme. Still others are more open and each writer pursues their own project, sharing as they are ready. In some writing groups, no one shares any work at all, they gather to commiserate over the process and perhaps hold brainstorm sessions for each other.
Can one writers’ group accommodate all these different goals?
Maybe? In the North Alabama Writers’ Group we struggle to balance differing expectations of our growing group. It’s hard because all writers go through periods of low creativity. Writers also have varying temperaments and accommodating everyone at one meeting can be a challenge.
To help with some conflicting desires, sometimes it’s good if a larger group breaks out into sub groups. We do this at meetings when those who would like to take part in our blitz round robin break off from other writers who would prefer to discuss their own ongoing works. We always allow time for those who want to read their recent works aloud to share, but we force no one to read out loud.
We have multiple online spaces. Google document sharing happens between writers looking for more structured commentary. This blog is a space for general writing conversations and topics we may not always explore in the face-to-face meetings. Our Facebook group allows for link sharing in a less formal format.
That’s great, but this post should tell me how a Writers’ Group helps me reach my goals!
A good writers group wants to support each of their writers goals and ambitions whether it’s a hobby or it’s something the person is seeking to pursue professionally. While balancing different levels of expectation and production is difficult, it’s important you take the time to get to know the people in a group and see if what they are offering will help you in your process.
Do you leave filled with creative energy and the desire to write? Does the group’s feedback present new avenues for you in your story or future re-writes? Are you able to co-author works with your group or perform a writing exercise at your meeting that helps get your process started? Does the group link you out to other writers, editors and publishers and can you grow through networking and differing perspectives?
I can‘t promise that all writers’ groups will help a writer. And I won’t promise that the North Alabama Writers’ Group is a good fit for everyone, but I would encourage all writers to find a group/person that supports and drives them forward. You may have to create the content in solitude, but you don’t have to travel through the whole journey alone.
Creative writers often debate the wisdom of publishing fiction and short stories to their blogs or posting a creation process behind their creations. In this post, I will explore the “pros” and “cons” of content. The topic includes posting short works to a blog or through another site for free, posting spin off works, and posting a “how I made story x”style posts. In the interest of full disclosure, I’m in favor of all these style posts and my bias shows. Please consider checking out part one in my Be Bold Series regarding posting site metrics on my personal blog
-You are wasting a story you could have gotten published for profit
-The story you post may be stolen by an unscrupulous person and they may get it published for profit or collect credit on their better known site
-You may have held onto the story, continued to work on it and come up a longer, more complete story instead of the short work you published
-Offering work for free reduces the market for paid work. Why pay money when you can get writing for free?
-Your work may be and the work of your peers may be devalued. Some believe that free writing is bad writing. There’s a further idea that free blog writing is writing that could not have been “legitimately” published so they released it “on the cheap.”
-There are concerns around formatting and presentation of fictional works posted to a blog, just as there are formatting challenges through epub.
-You as a writer offer readers a sample of your style and theme so they can make a better informed decision if they want to commit to a longer work. The works I’ve published highlight elements in writing I specialize in and may help me find the right audience home.
-Alternatively, you may have a one off story that doesn’t fit your genre and still wish to share it. I have a drama piece that‘s out of place with my over all portfolio I‘d one day like to publish. I don’t want to learn all the ins and outs of the drama genre for one piece, a simple answer may be to publish it through a blog.
-You’ve written a work for fun. Our writing group exercises often fall in this category. We were challenging ourselves and just want to share the results.
-You want more direct interaction with your audience. One thing I love about publishing to a blog is that readers post their thoughts and I enjoy that. Yes I can get feedback via a review on a work, but reviews are for other readers. A comment is for both the author and other readers. It’s nice to have an open conversation with my readers.
-Your shorts may be companion pieces to a longer work. For example: I have a “Downtown Huntsville Tourist Trap” book written from the perspective of the characters from “Follow Me: Tattered Veils”. I also have a drink recipe guide and a tarot guide, all a possible collections for people who enjoy my novel and want more from the voices of these characters. I have deleted scenes I may publish to add to the novel hype when I launch the book. Here, I’m selling my novel but adding free bonus material because giving away some writing doesn’t mean I don‘t charge for other works.
Since I have posted flash fiction and short fiction, it’s obvious I’m in favor of releasing my writing through blog posts. However, I will add that it comes down to a case of audience or career. I accept that writing can never be a career for me (for many reasons). My writers’ goals include finding and keeping the largest audience the themes and style of my writing will allow. Is that ten people or a million: I’m not sure. Adding short stories, blogging, and a social media presence are all tactics I’m incorporating to find out.
I’ve never been shy regarding posting my stories. There are a few I regret sharing, but those are from a long buried high school account. Even then, it’s more about the cringe factor than the “missed opportunity” or “devalued work”.
What do you think? Do you read short stories from blogs and free sites? Do you post your own stories for free? Is there a situation where you would give away content? Are there situations where you would never give away content? Share any thoughts you have on getting published for free or reading work that’s been published for free.
2. I race through Submittable. It’s a sloppy hunt, but I do my best to include EVERYTHING out in the world that meets my criteria
3. I order all the open calls by due date for an easy calendar style view, next I provide a word count so writers can best decide if they can create something that length in the time allotted. Then I the story’s theme, if there is a response timeline, I add that, and I close with the pay.
4. I only include publications that include $.01 word pay out or a royalty pay out.
5. I stick open calls I believe will interest my writers’ group. Poetry, venues looking for the writers to represent a subgroup other than white male (though I do sometimes include women, queer, disabled calls as we have group members who qualify), some genre requests, and erotica calls are omitted.
That’s it. Over this year, it became an organized system I’m proud of, but it does take a long time to find the information and copy it all into the blog. Hours across days go into what looks like a very simple post. I hope it helps people and while you’re here go look at my December Round Up to see if anything appeals.
Enough about me, I want to hear from you.
Are there other elements or organizations I should include? Do you like how I organize the calls and the information necessary to submit? How do you decide who to submit to? Do you submit to publications that pay less than $.01 a word and if so tell me a little about why/what you believe you gain.
To be included in this issue markets must pay at least $.01 a word. Some flat rates only pay that if writers stick to the minimum word count, and royalty pay = all bets are off.
Speculative City: open word count suggests nothing above 5,500 word count. Looking for a speculative work using the theme “knowledge” has a preference for under represented characters within the genre but accepts all stories. responds in 90 days. pays $20-$75
Shooter:2,000-7,500 words the theme is rivalry “Send us stories, essays, reported narratives and poetry on anything to do with competition, antagonism, warring forces and individual foes. The context might be sports, business, romance, politics, survival; the characters might be students, frenemies, parents, current and former lovers, courtroom opponents. As ever, the theme is open to wide interpretation.” pay $25 a story
Pseudopod: 1,500-6,000 words “We’re looking for horror: dark, weird fiction. We run the spectrum from grim realism or crime drama, to magic-realism, to blatantly supernatural dark fantasy. We publish highly literary stories reminiscent of Poe or Lovecraft as well as vulgar shock-value pulp fiction.” pay is $.06 a word
One Story: 3,000-8,000 words looking for literary fiction that stands on it’s own. 3 month response time. pay $500 and 25 contributor copies
Bikes in Space, the Non Binary Edition: 500-8,000 words on bikes in space scifi/fantasy genre with author and characters with non binary gender expression pay is at least $30 with 5 contributor copies
Lamplight: up to 7,000 words “dark fiction, both short stories and flash fiction. We want your best. But then, doesn’t everyone? No specific sub-genres or themes, just good stories. For inspiration, we suggest “The Twilight Zone”, “The Outer Limits”” pay is $.03 a word
Gehenna& Hinnom Books: 250-3,000 for flash and 3,001-5,000 word short story “We are looking for stories that fit the themes of Weird Fiction and Cosmic Horror. Horror, Science Fiction, and Fantasy are all welcomed, as long as they fit in the realms of Weird and Cosmic. All stories must also be speculative in some way. What we mean by this is that we don’t want stories based in realism. ” pay is $45 for flash and $55 for short story
Apparition: up to 1,000 words on the theme security pay is $5 flat rate
Nothing’s Sacred: 3,000 words max “The horror within can range from subtle to grotesque, psychological to physical, dark to full out terror so long as it is character driven. Theme wise, Nothing’s Sacred is relatively open outside of distasteful stories of rape, the degradation and/or humiliation of women, and child porn of any kind.”pay is $.05 a word and accepting the magazine’s hypocritical title
Moonlit Dreams/ Moonlit Nightmare: 1,500-10,000 words “short stories that explore the nature of the psyche, the world (or worlds) around us, and that speaks in some way to the theme presented. Stories should be well crafted and flushed out, having elements of a great story that could be told for generations to come. Including such things as romance, intrigue, comedy or drama are all par for the course as far as I’m concerned – the key is to write a story that lingers both in your heart and mind by the time the last page is turned.” pay is $.01 a word
Mickey Finn 20th Century Noir: about 5,000 words under 3,000 is probably too short and over 8,000 will be too long “An annual anthology of hardboiled and noir crime fiction to be released each fall beginning in 2020, Mickey Finnwill pick up where the three-volume Fedora anthology series left off, pushing hard against the boundaries of crime fiction. Contributors will be encouraged to push their work into places short crime fiction doesn’t often go, into a world where the mean streets seem gentrified by comparison and happy endings are the exception rather than the rule.” won’t hear back to Feb 2019 pay is royalties
The Twelfth Planet Press:17,000-40,000 words “We want gritty pieces that challenge the system and punch the patriarchy in the face. We want stories that resist and rebel… and maybe also books that comfort & inspire. For when things are bad out there in the world. We are looking for books that feed the angry soul.” pay is $300 plus royalties
Moonlight a Queer Werewolf Anthology: 1,000-2,000 words “Whether your werewolves are in space, school, or ruffing it in the outdoors, it doesn’t matter to us! We are looking for stories that span genres and tones. Your werewolves may be moody or the life of the party. All that matters is that they are openly queer and that there is an engaging story around them to be told.” pay is $.07 a word
Crannog: under 2,000 words no genre or guidelines pay is $50 per story
Apparition: 1,000-5,000 words on the theme of resistance “Apparition Lit is seeking original, unpublished speculative fiction that meet our quarterly theme. Speculative fiction is weird, almost unclassifiable. It’s fantasy, sci-fi, horror, and literary. We want it all. Send us your strange, misshapen stories.” pay is $.03 a word
Podcastle: up to 6,000 words “looking for fantasy stories. We’re open to all the sub-genres of fantasy, from magical realism to urban fantasy to slipstream to high fantasy, and everything in between. Fantastical or non-real content should be meaningful to the story.” pay is $.06 a word
Martian Migraine Press Monstrous Outlines: 1,500-7,000 words “an anthology of horror and weird fiction with a focus on the theme of camouflage: people, entities, monsters, gods, even concepts, that masquerade as things other than themselves. Predators in plain sight, deities on their down time, sublime extra-dimensional terrors slumming in 4D. We want to see stories of exceptionally well done camouflage, all the more baffling and frightening for its seamless nature. We want to see stories of seeming where the hidden thing is poorly hidden for a number of reasons: perhaps there are layers to its camouflage, or perhaps it doesn’t care how well it hides. Imagine the moment when the perfectly hidden thing reveals itself. When the poorly hidden thing reveals itself. We’re also interested in duplicates, doppelgangers, and shapeshifters.” pay is $.03 a word
Remnants: word count varies a post apocalypse shared world story/series go to the site for details. Pay: royalties
2100 A Health Odyssey: “give us your best 3,000-word short story that challenges today’s assumptions about the future of health care in the U.S. We’re offering a first prize of $10,000, second prize of $5,000 and other prizes for runners up and current employees, students and alumni of Jefferson.“
Looking at the path from spoken story, to recorded story, to printing press, and now to online and print formats, I can see that technology historically is huge for the aspiring writer. It seems that as technology and communication improve, the different ways it can help writers also exponentially increases. I’m awed and overwhelmed with the different tools at our disposal. To help sort the varying tools, I’m creating a series that explores different services mean to help an aspiring writer. This week we have tools meant to increase daily word count or to encourage a daily writing practice.
750 Words is my favorite of these sites. The purpose is to write 750 words or three pages every day. Once you’ve created an account, it will provide a space to enter text and you just type. When complete, send in your work and 750 will analyze the writing to see whether you were happy or relaxed based on keywords. The site will break down when you paused and when you were in a hot streak. For those who like to compete, you get points and a score board if you keep to the daily 750 word assignment. Best of all, all your writing is private. First thirty days are free and it’s only $5/mo afterward.
Write or Die is an software that puts pressure on the writer to produce text in a set amount of time or…consequences. The most disturbing thing the software does: it deletes words if you pause for more than a few seconds. Write or Die will either help you up your word count or obliterate every letter on the page. It costs $20 and I’ve often toyed with whether it might be worth the price tag to place my feet to the iron. I’m afraid I don’t have the stomach for the software.
Word Counter does a lot more than count your words! If you create a free account, you can create goals to work towards and the site will track progress for you. The site is linked to Grammarly, so spelling and grammar can be altered through them. Beyond that, Word Counter offers stats similar to those available on Hemingway App. It provides a reading level, how long it would take to read or speak, and it also offers a “word density” that may suggest whether you need to crack open a thesaurus. For strict editing, I prefer ProWritingAid, but if I was looking for a hybrid motivational tool and editor, Word Count seems like a capable option. It’s free to use.
Rescue Time, the wonderful Christopher Palmer mentioned this site to me, and I think it’s great for the aspiring writer. The light version lets you set goals and tracks how much time you spend on the web and where. It let’s you know how much time in front of the screen you’re wasting not writing!
What do you think? Do you use any of these softwares? Do you know of any other sites or apps that encourage word count or daily writing? What do you use to track your writing metrics?
It’s a simple question, but one I’ve found a lot of writers have never asked themselves.
I write because I have stories and I want to tell them. Compulsion pulls me through where a reasonable person may surrender. There are days where I think “even if no one ever sees this, I need to complete it.” That’s an internal part of writing, when an idea gets too big to hold in my head and needs to come out to the page. There are stories of mine I’ll never seek to publish. I “had” to write them, but that doesn’t mean they are good or meant for public consumption. Two, even though they are fiction, just mean personal things I don’t want to share. Others are artistic dabbles that I either think aren’t good or may be acceptable but not noteworthy enough to go through the work trying to publish.
I write because I enjoy reading but it’s rare I find an engaging story. Arrogance at it’s finest, to think I can be more unique and captivating that those already published. What I want is so niche it’s probably not worth creating. If I’m looking for a gritty urban fantasy with relatable characters, attainable goals, and both good and negative parts of magic and myth running the world, there must be other people looking for that. Urban fantasy readers can’t all be there for the romance and laughs. Some of them must be like me looking for the substance. American Gods exists and was a huge hit. There are so many other directions a work like that could go that I want to see.
I write as a way for reaching out to others. As someone shy, nervous, and concerned about other’s feelings and perspectives, there is no better way to broach difficult topics than through fiction. It’s a lot harder to feel attacked by an idea expressed in an imaginary world than an idea that will affect people now. Stories create space for people to say “that’s an interesting idea, could it work here?” or “I wonder if issue X is relevant now and what that looks like?”
I write because it distracts me when my anxiety is high. To a lesser extent: I write when I’m depressed because I need something beautiful or I write when the world spins out of control because writing is all in my hands. Most writers I know have an element of this. They are pensive, depressed, anxious, socially awkward and writing mitigates that for them.
I write because it’s one of the few skills I have that makes me proud and leaves me feeling accomplished. I write because I have something to say and I’m always exploring new ways to express my points.
And now you, the reader, know me better. Tell me something about yourself. Are you a writer? What do you write? If it’s fiction in nature, why write it? If you’re a reader, what do you read and why read it?
Fellow writers: would you rather a reviewer tell you that the book’s story and characters were amazing but the writing quality didn’t meet expectations or that your book’s writing was mind blowing but the characters and story were cliche retreaded territory? Follow up bonus question: are your feelings hurt by either or these critiques?
I’m asking because I write a lot of book reviews (check me out on Goodreads/shameless plug) and they are critical, even onbooksIlike. I wonder like many aspiring writers might, what effects if any of my reviews have on the authors and on my ability to reach out/break into their world of publication. Am I speaking to other readers or do authors also follow discussions on their books? Am I closing doors by breaking a book down or am I showcasing a thoughtful and attentive mind by considering so many facets? For me these answers break down to whether my comments are offensive and insults are often in the eye of the beholder.
Assuming for the moment that critical discussion on aspects of a book don’t automatically equal injury, I want to know what specific kinds of critical discussion would be fair to discuss with an author.
Personally, I’d rather have characters and plot that a reader falls in love with than pitch perfect writing. Things I want to hear include: “The characters felt very real,”, “I felt like I knew everything about these characters,”, “I needed to know more,”, “I’ve never seen this kind of story explored this way.”
That said, I have a distinctive sing song almost poetic style in all my writing. I have an unique “tone.” If someone compared my writing to another person’s style, I’d be curious to read more of that person’s work and excited to meet a kindred spirit. If someone doesn’t like my style, I get that too. It’s heavy in description, relies on alliteration, and is simile/metaphor heavy. I know it’s not everyone’s cup of tea.
Grammatically, I know I need serious help. Critiques to that effect can dishearten me after I’ve gone through editing that relates to correcting grammar, but it doesn’t cut me. Either I can go back in and correct the grammatical errors (a bonus to electronic publishing), or I’ve made the error in favor of how a phrase flows or draws out a feeling fragmented instead of a full detailed thought.
Does it all boil down to where we as writers are insecure? My confidence in writing style makes me believe problems in my book must be character/plot related, and therefor I’m more concerned with feedback from those quarters. I still want the feedback. For me there is never enough feedback or feedback that’s too harsh as long as it comes with specific examples so I can follow another’s thoughts.
Please give me your thoughts. Do you fear another kind of feedback? If someone published you would negative or mixed reviews hurt your feelings? And how do you rate books/media?
First, few caveats. I did not include any publisher who asked for a reading fee. I also didn’t include grants, contests, or publishing offers that were region locked to an area outside of Northern Alabama.
What I did include were all publishing offers I could find that I thought may have appeal to any current members of our writing group. That said, some of the calls for submissions seems like they may be less stable or professional than other markets. I did try to exclude anything that appeared like an obvious vanity press, but there are some calls here I wouldn’t submit to. Use your own discretion.
Due Feb 15th
Deciduous Tales– “We are looking for horror and dark fiction with well realized characters, a strong voice and literary merit between 1000 and 5000 words. Query first for any story longer than 5000 words.”
Due Feb 16th
Black Button– 2000-6000 words midwestern themed horror and dark fiction. Integrate family dynamics.
Due Feb 28th
Dark House Books– Has 2 calls! one is a 2500-5000 words cozy to cozy-noir stories featuring libraries and librarians the OTHER poetry, flash, short fiction, and creative nonfiction reflecting the theme of sanctuary, refuge, shelter, or asylum, from the perspective of those offering, seeking, denying, or destroying it. From Bangladesh to the city animal shelter, all are welcome, as are all genres.
If This Goes On– up to 5000 words at least 1 generation in the future but further out is preferred and it needs to relate to current political issues $.08/word
Body Parts Magazine– Flash up to 1000 AND short stories up to 8000 words theme is “primal fears” looking for horror, dark fairy tales
“This Book Is Cursed“- Up to 7,500 words the theme is “this book is cursed” includes tombs, theater curses, sports curses random vengeance curses
Hex Gunslinger– 1000-1500 flash, 1001-7499 short story, 7,500-17,499 novellette and 17,500- 40,000 novella speculative, mysterious, and romantic weird western tall tales! Framed as an unearthed secret library years after the civil war, each story should hold the ethos of western expansion beginning in 1803 with the Louisiana Purchase, and ending around the 1850s not necessarily restricted to a North American audience. Do not take manifest destiny as a mantra to live by. Shape a world with all the magic and mystery of the frontier without letting the ugliness of conquest be consumed with fantastic whimsy. We want wide open plains where violence ruled, underground movements brewing with tension, and the Wild Wild West in all it’s beauty and madness. Bring us your stories marking the age of the gold rush, injustice, genocide, mass immigration, transcontinental railroads, vigilante justice, telegraphs, outlaws, gunslingers, slick talkers, setting suns, and the impending civil war that would rip a nation apart. They want Pulp fiction, Weird Western, Cattlepunk, Southern Gothic, Folkloric Monsters, Occult Magick, Slipstream, Cowboys & Aliens, and so on
Baba Yaga Anthology– 7,500-20,000 words. Kate is looking for stories from Baba Yaga’s point of view, or the point of view from those she helps or hurts, or from anyone who might be a protagonist worthy of the Baba Yaga story. You can set the story in the past or present. The story can take place anywhere in the world. It can include romance or action or tragedy or comedy.
Dark Water Syndicate– 5000-8000 words “We are interested in short horror fiction about people who sneak into abandoned, forgotten, shunned, or cursed communities and survive to tell the tale. For example: Centralia, Pennsylvania—the mining town abandoned because of an uncontrollable underground coal fire; Love Canal—the New York neighborhood declared off-limits due to extreme environmental pollution; and Pripyat—the Ukrainian city evacuated after the Chernobyl disaster. The emphasis is on communities—a haunted house or other such localized place is not large enough to qualify. The place or people in your story must be fiction, must be told in 1st person and must be a present day adventure”
Horror Short Story Contest– “Entries must be 2000 words or less, typed in 12 point Times New Roman and include your name, age, and contact information.”
Did you set any New Year’s Resolutions? If you haven’t there’s no time like the present to commit yourself.
I love new things. They’re shiny, unassuming, and a perfect for a fresh start. You can always “start again” on your journey to improve. No need to wait till January. March, November, or any other time of year works too as long as you’re ready to put in the work. Still, there’s something about the crisp cold dry air paired with scales and exercise equipment hanging out in every retailer that just seems to beg of you to start a project now.
If you’re like me and over commit, you’re starting with a spreadsheet of some 30 odd goals to track with the silent prayer all those little measurements will lead to a larger goal down the road. I was planning for March to see major changes when I wrote my resolutions, but two weeks in and I’m already pushing back to April.
Three paragraphs in and finally I’m ready to talk about my writing commitments for 2018.
Writing Daily. I’m using 365 Writing Prompts to start each day. I’d like to write at least 500 words per prompt. Of this year I’ve missed 3 days so far, but I haven’t given up on writing most my days
Taking these prompts and creating at least one edited complete story with them a month. This is a lot harder for me but is the logical conclusion with the goal being toward churning one full edited story every two weeks. A June goal at earliest at this rate
Reading 36 books this year. Need to look at the larger writing and publishing world around me. Also I require full books to research elements of stories I want to write.
More consistently reading and providing candid, honest, helpful feedback to my writer’s group. I want to take part more in collective writing efforts.
Starting up our North Alabama Writers Group Blog. Pushed the group to set this up over the summer and I’ve let it lay fallow. No time like the present to force posts.
Not so secret yearly goal I’ve no way to measure my progress to: I want to be published and more widely read. Words can’t contain my burning, heart pounding, chest expanding, all encompassing desire to have a readership—to share my words and know others look at them. Don’t even care if people like them so long as they read them.
As an impatient person, progress is not going as quickly as I’d like. Who’d have thought changing 30 points of your lifestyle wouldn’t lead to a seamless transition of success? But, I am seeing marked progress improvement and I am moving closer to having a life more inline with what I wanted starting January 1st.
Our writers’ group also has goals for 2018. As a group we’ve pledged to:
Have a more structured group meeting
Have a writing exercise every other week
Havemonthly write-ins besides our standard weekly meeting
Increase our group size
Do something with the Group Blog (which I’m taking on as a personal crusade but I expect others to join as they are ready)
What about you, mysterious anonymous reader? We’re 1/24th of the way through the year, and no time like now to come clean regarding your declarations. Did you make any New Year’s Resolutions? Did any of them involve writing? And how are they going?