Best of Kindle Unlimited: Charlie N. Holmberg

Magic Bitter, Magic Sweet cover from Goodreads.com

While most Kindle Unlimited authors are independent authors, there are a lot of wonderful traditionally published writers too. Charlie N. Holmberg is one author offering her work through Kindle Unlimited and winning the game.  

I found Holmberg through Followed by Frost a take on the Ice Queen fairy tale that borrows elements of the original fairy tale while creating a new story.  Her lyric descriptive writing and the characters she explores through her writing drew me in.  

Later that year I read Magic Bitter, Magic Sweet and thought to myself “this style is a lot. it reminds me of Followed by Frost.”  Turns out Charlie N. Holmberg wrote both.  Magic Bitter, Magic Sweet is my favorite of all of her works to date.  It takes the fun elements and themes in Followed by Frost and brings them to their largest showcase.  There are several fairy tale character references.  Marie explores some same territory Smitha did, though the characters approach the themes from two different personalities.  At the core of all the action is an emotional and ethically based.  

This year I’ve returned to Holmberg’s work and read Smoke and Summons and Myths and Mortals.  Her writing continues to grow and evolve in ways I appreciate.  These worlds hold the same completing characters but the live in a unique imaginary world that’s well thought out.  Holmberg fleshes out the world and magical system in a way that feels seemless and effortless to readers (though the writer in me knows how hard it is not to shove in an exposition dump).  Myth and Mortals ends with a cliff hanger I did not appreciate, but I enjoyed the whole so much, I’m looking forward to Siege and Sacrifice

Holmberg is a fantasy writer to keep an eye on and I’m not the only one who appreciates everything her stories offer.  Disney picked up the rights to Paper Magicians.

Unlike other pics for my Kindle Unlimited Series, Holmberg has her share of attention and some may ask why I highlight her.  Truly, I enjoy her work and perspective.  I see a lot of what I’d like to do in what she’s doing and I think our writing goals are similar.  It’s hard not to look at someone succeeding in a way I want to and not mention her.

Take Aways from Charlie N. Holmberg’s Success:

1.  Pretty and descriptive elements of a work can be a successful stylistic choice.  Often readers and writer discuss how today’s market is over-saturated and we need to jump into the action right away.  This suggests short prose that lack a singing quality, but Holmberg balances movement and description.  Write out the description for the first draft and look to the second draft to balance pacing.  The market doesn’t require brusque hops from action to action for success.

2.  Traditionally “feminine” characteristics and emotional story lines work in fantasy writing.  When readers/writers think “fantasy” genre we often think an epic scale battle and escapism.  Holmberg’s works create personal emotional investment and often lack an epic “world in peril” element.  The characters’ worlds are at risk, but the universe will be fine if these characters die or fail.  There’s a market for emotional small scale fantasy, there may even be a demand for it.

3.  Everything doesn’t have to be “sexy” or sexual in someway to create tension.  Something I love regarding Homberg’s works is the way she can build tension without ever resorting to sexual tension.  Yes some of her characters fall in love and face the traditional “do they love me back” dilemma but it’s never overblown.  The characters set this controversy aside when mortal peril intervenes.  They confront attraction when it keeps them from meeting their goals and they either embrace a relationship or move past rejection.  Relationships in her books feel real, organic, and warm, not an element existing to drag out the plot.

4.  Using fairy tale references in a work appears to either be popular or to help bolster a works attention or not hinder the work’s ability to reach a large audience.  As a writer who uses a lot of myth and legend in my writing, this encourages me.

5. Take your time and perfect your story.  Holmberg is very open regarding how many stories she queried before getting traction with “Paper Magicians.”  The first or second book you write might not be the one, if you publish traditionally.  For indie authors it’s more a message of “don’t be disappointed if your debut novel doesn’t break records.”  

6. Have a posse of like-minded writers to bounce ideas off of. Holmberg is part of a Deep Magic e-zine that looks to create “clean fantasy.”  Working together with other writers to keep your themes out in the public eye will help find like audience and also is a great service to other writers in the same genre.  If you’re an Alabaman local, might I suggest our North Alabama Writers’ Group Meeting?

Looking for other great Kindle Unlimited Series? Check out our earlier write up on Amy A. BartolSara C. Roethle, or T. A. White.

Wondering why Kindle Unlimited?  Check out my post: 7 Reasons I read Kindle Unlimited

For further discussion on reviews try our “Would you Rather…” post that asks writers to pick between two different kinds of negative reviews.  Or try Do Critical Reviews hurt me as a Writer?

Or consider 9 Things that Make a Book Good (For Me)7 Steps I take Before Posting a Bad Review

Swiping Inspiration

graphic from open clipart.org by qubodup

 

Writing is theft.   Confession time: there are no characters, situations, or concepts in my writing I haven’t lifted from a real world experience.  While anything is fair game for a story, I’m most focused on having “real characters” that a reader can relate to and believe are real while I make a world full of the fantastic these normal people have to deal with.  Because I like character studies, my most stolen tidbits comes from the surrounding people. 

When I talk to you with that over eager, boisterous barrage of questions, I am interested in you, but I’m also pilfering all your experiences and responses to mash up later when I sit down to write.  Do not leave me alone in a room because I rifle through every drawer.  There’s no shame in my cat killing curiosity and there’s no end to it.  Tell me to back off anytime now.  I know my intensity is off-putting, and I try to keep a lid on it.  If we ever meet, I hope you’d never suspect how hungry I am to hear your life story.  How much I want to dig into an abstract hobby of yours.  I want facts I can check to see if you’re the honest sort, but either truth or lies, I’ll incorporate that study to some Frankenstein-esque mash up of you and four other people I met this week.  It’s alive, and the only part I can claim rights to is how I fit the Tetris blocks together.   

What in your day-to-day life do you steal the most inspiration from?  Are your gems personal experiences and past events?  Or do you explore expansive new places, plumbing each place for its local traditions, retooling them to your desires?  Do current or past politics spur you into creative world building?  Are you seeking to recapture old myths and fairytales in an unique way?  Or maybe you dream of technological break through in the present and think of what they’d mean in the future (or what they would mean if delivered to the past)?  There’s so much information offered, rife for a writer to pluck up and entwine into a new story.  How is a creative to choose?  Tell me what you hunt for, what parts of your story are the “most real” and how do you obscure the origins of those tidbits?