December Open Calls For Submission

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Dec 15th

Once Upon a Future Time: up to 15,000 words a scifi story that incorporates a fairy tale or folklore.  ALL AUTHORS RECEIVE FEEDBACK on their writing.   pay is $50 and royalties plus a copy of the book

Arsenika: up to 1,000 words all flash and micro flash or poetry.  They respond in 14 days of submission pay is $60 for flash and $30 for poetry

Matter Press: ???words suggests short? looking for anything that deals with the idea of compression.  Response time is 1-3 days and the pay is $50

Smoking Gun Press: 1,200-6,000 words “We welcome stories involving all types of supernatural beings… witches, zombies, vampires, ghosts, werewolves and other were-creatures, demons, and anything else we’ve left out! Mixing and matching of different types of beings in the same story is acceptable” all genres are acceptable pay is $20 and a copy of the anthology

Iridium Press: up to 5,000 words any story so long as it has QUILTBAG+ content pay is $.03 a word. 

Belanger Books: 5,000-10,000 words “this collection will feature all new traditional Sherlock Holmes adventures with a science-fiction edge. Sherlock Holmes: Adventures in the Realms of Steampunk will feature Holmes in a futuristic Victorian setting.  See him deal with airship pirates and steam powered robots. Maybe he’ll even deal with a time traveler or with alien invaders.  ” pay is royalties

Young Explorer’s Adventure Guide: 3,000-6,000 words a YA/middle grade scifi genre story pay is $.06 a word

Selene Quarterly Magazine: up to 100 words between 101-1,000 words 1,001-1,500 words 3,000-7,500 words “Selene Quarterly Magazine publishes quality fiction, poetry, nonfiction, and art that dwells in the shadows. SQM desires stories and poetry that are thrilling, reflective, and imaginative.” pay scale varies for length but all are at least $.01 a word

Dec 24th

Ulthar Press: 2,000-5,000 words ” looking for strange, gothic, and fantastic fiction in the manner of E.T.A. Hoffmann between 2,000 – 5,000 words in length. Stories that merely graft his characters into a new story will not be accepted.” response time is 60 days and the pay is $.02 a word

Dec 28th

Thuggish Itch: 1,000-4,000 words theme is theme park looking for horror, scifi, and speculative works.  pay is $5.00 under 2,000 words and $10 over 2,000 *to make this ‘worth it’ you need to write a 500 word pieceD

Dec 31st

Space Opera Libretti: 2,000-7,000 words “The short version of what we want: Silly, diverse sci-fi that involves music. If it’s actually about operas in space, all the better!” pay is $.06 a word

Inkling Press: up to 5,000 words “The first anthology released by Inklings Press was Tales From The Tavern – a short collection of five fantasy stories by some of the early, happy crew that thought it was time to have a go. You can still read that – it’s collected in the Tales From The Tower anthology that rounds up the first year of Inklings Press.”  flat $50 pay

Vex Me No More: up to 5,000 words “We want your witch stories! Though they do not necessarily have to be female-centric, they do need to be tales of powerful, unique beings. Remember, this is a horror anthology, so while you can have elements of other genres, we want to be scared.” pay os $.02 a word

Bad Dream Entertainment: 1,500-8,000 words “Bad Dream is now accepting submissions of humorous dark fiction. Editor Brett Reistroffer is looking for original horror fiction with a strong sense of comedy, and most themes, subjects, and settings are welcome but standard genre tropes are definitely discouraged (vampires, zombies, werewolves, etc.). The comedic aspect can be goofy and slapstick or black and morbid, just as long as there are equal amounts of darkness and humor” pay is $.06 a word plus split royalties 

Curse the Darkness: 3,000-10,000 words “For our inaugural anthology, Curse the Darkness*, we’re throwing our doors wide open and inviting submissions on the theme of darkness. That could be the absence of light, the presence of evil, or the sinister thoughts of the afflicted. However you choose to interpret the theme, just make sure you leave us afraid to turn out the lights.” pay is $75 flat rate

Alternate Peace: up to 7,500 words “is to feature alternate history stories where the divergence from our timeline comes from some kind of peaceful change to our past. It must explore the consequences of this divergence, not simply introduce the divergence. Stories featuring more interesting historical settings and twists on the consequences of the peaceful divergence from our timeline will receive more attention than those with more standard changes to the course of history. ” response by end of Feb 2019 pay is $.06 a word

Temporally Deactivated: up to 7,5000 words “is to feature stories where the author explores what the phrase “temporally deactivated” could mean with regards to a person, place, or thing. Stories featuring more interesting takes on the twisting of time and how it is integrated into the story will receive more attention than those with more typical twisted time stories. We do NOT want to see stories where “temporal deactivation” means simply death.” response by end of Feb 3019 pay is $.06 a word

Portals: up to 7,5000 words “is to feature science fiction or fantasy stories that contain a portal opening up between two different worlds and the consequences that come from that portal. We are attempting to fill half of the anthology with science fiction stories and half with fantasy stories. ” pay is $.06 a word

Nothing Without Us: 1,000-3,500 words “All works must be fiction—fiction based on lived experiences is welcome. The lead character must be disabled, blind, Deaf, Autistic, neurodiverse, and/or live with mental illness. We do not expect all of these in one character, although we’re sure that character would be amazing. We are accepting fiction in all genres with the exception of hard-core erotica. We are also only interested in previously unpublished works. ” “We welcome writers across the disability, mental illness, developmental disabilities, neurodiversity, blind, and Deaf spectrums. We welcome those who manage invisible and visible disabilities and/or chronic conditions. We welcome those who count spoons! We’re just looking to have an entire work where we elevate the stories written by the folks in our community.  We welcome the communities that intersect with the disabled, neurodiverse, mentally ill, blind, and Deaf communities, such as the LGBTQIA2 communities.” pay is $.03 a word

Allegory Online Magazine: up to 5,000 words but between 500-2,000 seems best “We specialize in the Science Fiction, Fantasy and Horror genres. We will consider other genres, such as humor or general interest, provided that the work possesses an original, “quirky” slant.” pay is $15

Jan 1st

Cafe Irreal: up to 2,000 words “This fiction, which we would describe as irreal, resembles the work of writers such as Franz Kafka, Kobo Abe, Clarice Lispector and Jorge Luis Borges. As a type of fiction it rejects the tendency to portray people and places realistically and the need for a full resolution to the story; instead, it shows us a reality constantly being undermined. Therefore, we’re interested in stories by writers who write about what they don’t know, take us places we couldn’t possibly go, and don’t try to make us care about the characters.” pay is $.01 a word min $2

Crystal Lake Publishing: 500-5,000 words a non themed anthology in the dark fiction genre with fleshed out three dimensional characters pay is $.03 a word

Nexxis Fantasy: up to 15,000 words “Nexxis Fantasy has a twice a year publication. Our goal is to publish an exquisite science fiction anthology filled with the greatest works from across the galaxy.” the upcoming theme is “Lost” pay is $1 per 100 words

6 Reasons I Stopped Reading Daily Science Fiction

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Long time readers of the North Alabama Writers’ Group blog may know I started a monthly series called “The Best of Daily Science Fiction”. For this series, I read every story Daily Science Fiction published each month and featured the works I enjoyed.  I stopped the series after Feb even though I read all the stories through April.  I stopped posting the series because:

1. Creating a post with so many links and references was a hassle.  It takes a long time to write, edit, and find a photo for most posts.  What takes 20 minutes to write ends up taking an hour and a half to get set up for publication.  These Daily Science Fiction posts took FAR longer because I would research the authors of stories I featured and link to other works/sites where readers could find them.  The feedback I got wasn’t worth the time.  

2. I didn’t enjoy reading Daily Science Fiction.  It pains me to type this, but the truth is: most of the stories Daily Science Fiction aren’t fun, interesting, or unique.  And I want to like Daily Science Fiction, but I can’t. 

 3. Reading the stories there and trying to pick “good ones” was lowering my standards.  While I compiled stories for March’s post, I included anything that “was a story” even if I thought that story was cliche.  Reviewing the stories to post spiralled me into a depression.  Where were my standards?  Since when has “almost having a conclusion” good enough?  I would never accept something so sloppy in my work or in the work of my fellows.  Why was I recommending work that didn‘t inspire emotion or new thoughts?  To fill out a blog post, no I wouldn‘t do it.

4. Daily Science Fiction has a terrible website.  It‘s slow and often crashes.  This is annoying when one is trying to comb through it for cross links.  It’s also pretty frustrating when I would try to rate the stories only to have the site continually crash.  I suspected the site craps out intentionally if you‘re giving a low score to a story most people seem to like.  This conspiracy theory is probably not true, but it‘s hard to keep pleasant thoughts for a site that refused to load consistently.  It is a professional paid market, get some web support!  

5. I hate the layout of Daily Science Fiction’s website.  I would try to search for ALL the stories from authors I enjoyed or from authors I was “on the fence” to read more, and the search engine was super clunky.  Also Daily Science Fiction lets repeat published authors write very different bios for each story they submit so I often had to read through as many stories as possible, read the story AND the author bio again looking for hints.  They should just have a directory with the most up-to-date bio of each published author in alphabetical order and include links to any publications they‘ve ever had within Daily Science Fiction.  This is website networking 101.  If the goal of your publication is to offer short scifi work to readers and feature writers others might otherwise never read, make it easier for readers to find more from these writers!

6. The website is ugly.  This is petty and not worth mentioning when a site is easy to navigate, but Daily Science Fiction isn’t well laid out.  Being on a site that crashes often, takes a while to load, and doesn‘t search well, gives a person a long time to see how unpleasant the whole experience is.  The over all aesthetic quality matters a lot more.  Guess what, Daily Science Fiction isn‘t winning any awards in color scheme or intuitive navigation.  

Tell me about your experiences.  What turns you off to a website?  What do you look for in a flash or in recurring newsletters?  Do you read Daily Science fiction and if so, what’s your experience as a reader?  Have you published through Daily Science Fiction and what was that experience like?

November Open Calls for Submission Round Up

from openclipart.org by raseone

 

To be included in this issue markets must pay at least $.01 a word.  Some flat rates only pay that if writers stick to the minimum word count, and royalty pay = all bets are off.

Nov 11th

Speculative City:  open word count suggests nothing above 5,500 word count.  Looking for a speculative work using the theme “knowledge” has a preference for under represented characters within the genre but accepts all stories. responds in 90 days.  pays $20-$75

Shooter: 2,000-7,500 words the theme is rivalry “Send us stories, essays, reported narratives and poetry on anything to do with competition, antagonism, warring forces and individual foes. The context might be sports, business, romance, politics, survival; the characters might be students, frenemies, parents, current and former lovers, courtroom opponents. As ever, the theme is open to wide interpretation.” pay $25 a story

Nove 12th

Pseudopod: 1,500-6,000 words “We’re looking for horror: dark, weird fiction. We run the spectrum from grim realism or crime drama, to magic-realism, to blatantly supernatural dark fantasy. We publish highly literary stories reminiscent of Poe or Lovecraft as well as vulgar shock-value pulp fiction.” pay is $.06 a word

Nov 14th 

One Story: 3,000-8,000 words looking for literary fiction that stands on it’s own. 3 month response time. pay $500 and 25 contributor copies

Bikes in Space, the Non Binary Edition: 500-8,000 words on bikes in space scifi/fantasy genre with author and characters with non binary gender expression pay is at least $30 with 5 contributor copies

Nov 15th 

Lamplight: up to 7,000 words “dark fiction, both short stories and flash fiction. We want your best. But then, doesn’t everyone? No specific sub-genres or themes, just good stories. For inspiration, we suggest “The Twilight Zone”, “The Outer Limits”” pay is $.03 a word

Gehenna& Hinnom Books: 250-3,000 for flash and 3,001-5,000 word short story “We are looking for stories that fit the themes of Weird Fiction and Cosmic Horror. Horror, Science Fiction, and Fantasy are all welcomed, as long as they fit in the realms of Weird and Cosmic. All stories must also be speculative in some way. What we mean by this is that we don’t want stories based in realism.pay is $45 for flash and $55 for short story

Apparition: up to 1,000 words on the theme security pay is $5 flat rate

Nov 16th

Nothing’s Sacred3,000 words max “The horror within can range from subtle to grotesque, psychological to physical, dark to full out terror so long as it is character driven. Theme wise, Nothing’s Sacred is relatively open outside of distasteful stories of rape, the degradation and/or humiliation of women, and child porn of any kind.”pay is $.05 a word and accepting the magazine’s hypocritical title

Nov 25th

Moonlit Dreams/ Moonlit Nightmare: 1,500-10,000 words “short stories that explore the nature of the psyche, the world (or worlds) around us, and that speaks in some way to the theme presented. Stories should be well crafted and flushed out, having elements of a great story that could be told for generations to come. Including such things as romance, intrigue, comedy or drama are all par for the course as far as I’m concerned – the key is to write a story that lingers both in your heart and mind by the time the last page is turned.” pay is $.01 a word

Nov 30th

Mickey Finn 20th Century Noir: about 5,000 words under 3,000 is probably too short and over 8,000 will be too long “An annual anthology of hardboiled and noir crime fiction to be released each fall beginning in 2020, Mickey Finnwill pick up where the three-volume Fedora anthology series left off, pushing hard against the boundaries of crime fiction. Contributors will be encouraged to push their work into places short crime fiction doesn’t often go, into a world where the mean streets seem gentrified by comparison and happy endings are the exception rather than the rule.” won’t hear back to Feb 2019 pay is royalties 

The Twelfth Planet Press: 17,000-40,000 words “We want gritty pieces that challenge the system and punch the patriarchy in the face. We want stories that resist and rebel… and maybe also books that comfort & inspire. For when things are bad out there in the world. We are looking for books that feed the angry soul.” pay is $300 plus royalties

Third Point Press: up to 3,500 words no theme or genre guidelines pay $10 and a copy

Moonlight a Queer Werewolf Anthology: 1,000-2,000 words “Whether your werewolves are in space, school, or ruffing it in the outdoors, it doesn’t matter to us! We are looking for stories that span genres and tones. Your werewolves may be moody or the life of the party. All that matters is that they are openly queer and that there is an engaging story around them to be told.” pay is $.07 a word

Crannog: under 2,000 words no genre or guidelines pay is $50 per story

Apparition: 1,000-5,000 words on the theme of resistance “Apparition Lit is seeking original, unpublished speculative fiction that meet our quarterly theme. Speculative fiction is weird, almost unclassifiable. It’s fantasy, sci-fi, horror, and literary. We want it all. Send us your strange, misshapen stories.” pay is $.03 a word

Podcastle: up to 6,000 words “looking for fantasy stories. We’re open to all the sub-genres of fantasy, from magical realism to urban fantasy to slipstream to high fantasy, and everything in between. Fantastical or non-real content should be meaningful to the story.” pay is $.06 a word

Nov 31st

Martian Migraine Press Monstrous Outlines: 1,500-7,000 words “an anthology of horror and weird fiction with a focus on the theme of camouflage: people, entities, monsters, gods, even concepts, that masquerade as things other than themselves. Predators in plain sight, deities on their down time, sublime extra-dimensional terrors slumming in 4D. We want to see stories of exceptionally well done camouflage, all the more baffling and frightening for its seamless nature. We want to see stories of seeming where the hidden thing is poorly hidden for a number of reasons: perhaps there are layers to its camouflage, or perhaps it doesn’t care how well it hides. Imagine the moment when the perfectly hidden thing reveals itself. When the poorly hidden thing reveals itself. We’re also interested in duplicates, doppelgangers, and shapeshifters.” pay is $.03 a word

Dec 1st

Remnants: word count varies a post apocalypse shared world story/series go to the site for details.  Pay: royalties

2100 A Health Odyssey: “give us your best 3,000-word short story that challenges today’s assumptions about the future of health care in the U.S. We’re offering a first prize of $10,000, second prize of $5,000 and other prizes for runners up and current employees, students and alumni of Jefferson.

Compelling Science Fiction: 1,000-10,000 words science fiction genre pay is $.06 a word

Deadman’s Tome: 4,000-7,000 word short story OR flash “Horror and dark fiction about demented psychopathic killers with a winter holiday setting” pay $10 plus royalties

 

 

October Call for Submission Round Up

It’s that time of the month again!  The time I round up all the open calls for submission I can find.  This time around I took a queue from Chris’ post on Dragon Con and only added calls where the writer is paid at least $.01 a word.  Until I looked for it, I didn’t realize how little some of these venues pay.

Oct 15th

Shifters United: 20,000-35,000 words on urban fantasy involving shape shifters ideally non-traditional variety pay is a royalty structure

Oct 24th

NonBinary Review: up to 5,000 words that have a clear connection to Dante’s Inferno could be the themes or the characters or setting.  pays $.01/word

Oct 31st

Heroes of the Apocalypse: 5,000-15,000 words with stories of “end of the world” author’s choice of how the end happens but the heroes must fight against the end of the world.  pay is royalty based.

Our Loss Anthology: up to 8,000 words on loss/pain looking for a creative way to incorporate the theme pay is a profit sharing thingy

The Realm of British Folklore: There doesn’t appear to be any word count but he is looking for British Folklore theme.  No specification on traditional vs more modern settings.  Pays $.01/word

Barking Sycamore: up to 1,000 words creative unthemed issue that appreciates neuroscience diversity, queer, or poc characters. pays $.01 word

PseudoPod: 1,500-6,000 words looking for horror, dark, or weird fiction pays $.06/word 

Nov 1st

Spring Song Press: 1,000-10,000 words “Steam and Laces Steampunk anthology” fantasy speculative fiction.  Pays $.01/word

Millhaven Tales: 2,000-8,000 words winter guidelines are action/adventure/western payment is a royalty based scenario 

The First Line: 300-5,00 words “As we trudged down the alley, Cenessa saw a small ___________” pays $25-$50

Concrete Dreams: 5,000-10,000 words on urban/modern fantasy is a kickstart campaign with a poorly laid out website (which is why I linked to HorrorTree instead of their junk site) but they plan to pay $.04/word

Unlocking the Magic: 3,000-6,000 words in the fantasy genre (no scifi) Looking for the common stereo type of the mentally ill person being susceptible to magic, but using self care to enhance instead of threaten their abilities. A healthy look at how magic/religion/ceremony can play with mentally ill pay is $300/story

Best of Kindle Unlimited: Amy A. Bartol “Secondborn Series”

    

Cover Art from Goodreads

Along my reading, I picked up Amy A. Bartol’s Secondborn.  Even as someone who thrives on the drama of a YA post apocalypse world, I didn’t expect to like this book.  I’d just been burned by the likes of Death Thieves and The Hundredth Queen.  All three YA books trying to take advantage of my love of The Hunger Games and all three of books have 4 star reviews in Amazon and Goodreads.  When will these writers get that what made Hunger Games amazing wasn’t just the kids fighting in the arena?  So, curious despite myself, I picked up Secondborn expecting it to either disappoint or be a guilty pleasure.

Instead  Secondborn and it’s sequel Traitor Born were a joy read and touch on larger conversations we need to have in today’s world. Bartol focuses on the heart of what’s great in post apocalypse YA: the transformation of the main character and their perception of the world around them.  First, I appreciated Roselle as a savvy character who avoids the “ignorant for the sake of exposition” trope.  From the beginning, Roselle shows she is a smart character aware of differing undercurrents even if she’s not sure of how deep those waters flow.  Her thoughts and feelings change as she has new experiences and uncovers more schemes in the world around her.

Through Roselle the reader learns to empathize with many perspectives.  By the time I finished the second book, Traitor Born, I was no longer sure there was a “good side” or “bad side”.  It’s a rare risk for a writer to twist the bad characters into ones we might understand and to muddy the water so we despite the good characters.  I read plenty ambiguous characters or where one “side” transforms into not the villain/not the hero, but leaving a reader with no character to trust or side with is bold and exciting.  Even as I can’t “support” or “root” for any one outcome, I empathize with them.  I want relief for these characters, but it’s not to accomplish their goals.

Amid this shifting terrain, Roselle sinks, struggling with PTSD, and a series of complicated interpersonal relationships.  Her flashbacks, the way she falls to pieces in key moments and rises in others, and how she struggles with drugs feels authentic and relevant.  I thought I’d decided about who I wanted with Roselle as allies or friends, who Roselle should work with and who she should keep at arm’s length, but Traitorborn makes me question the decisions I made.  There’re dangerous edges on everyone and redeeming qualities.  I resented my favorite ally from the last book, forgot how evil/distasteful another character was because he has these moments of genuine connection, and I thought someone who was once a snake in the grass might become a true ally.

And I haven’t even gotten to the science fiction.  Unlike The Giver or The Hunger Games, that keep technology vague and only available to isolated pockets of society, Secondborn distributes the technology to everyone.  The gadgets themselves aren’t innovative, chips in webbing or right hands to track and grant access, hover vehicles and airships, robots who are servants/guards/trackers/medics, and a weapon that seems a cross between a light sabre and a plasma gun.  All ideas I’ve seen before right?  Bartol re-images these ideas to give a fresh unique society.  The world and the devices of it feel lived in and true.  Beyond the existing tech, Bartol continues to introduce upgrades and improvements to her tech.  It starts in one spot with these flaws and then a patch comes out.  The upgrades make her world feel more real and provide new challenges for her characters to overcome.

I’m glad I read the first two books (even if both endings are cliffhangers) and am looking forward to the third installment.  If you like a future society where teens and young adults have to fight for their lives, you will enjoy this series.  While a simple premise, the layers of nuance make it enjoyable and thought provoking to many age groups.

Take Aways From Bartol’s Success:

1. Don’t be afraid to market an idea another book/work made famous just BRING VALUE, don’t expect other’s success to sell a sub par work

2. Have complicated dynamic characters and don’t limit quantity.  Readers can keep up with you as long at each character has a personality-and embrace the baggage being in traumatic situations leaves these characters.  Let them have flashbacks, PTSD, aggressive or tearful reactions to simple daily events.

3. Don’t shy away from near future tech in your science fiction.  Embrace the evolution of these systems to make them feel real and dynamic within your world.

4. Female leads can be emotional and strong/combat oriented.  Roselle is a great balance of action/battle training and intelligent emotional thinking.

5. Have a kick-ass looking personal website.  Just look at Bartol’s website, the graphics and layout make me want to read her work more than her covers!  She’s inviting her readers’ imagination to tackle fan fiction for her characters, and through their fannish excitement, spread her work to new audiences.

Looking for more to read? Check out the next in this series: T. A. White’s “Dragon Ridden Series”  or Sara C. Roethle’s “Tree of Ages”

Wondering why Kindle Unlimited? Here’s 7 reasons I read this way.

Looking for more conversation on reviews? Try “Would you Rather…” or “Does Being Critical in Reviews Hurt me as a Writer?” or consider “9 Things That Make a Book Good (For Me)” or “7 Steps I take Before Writing a Bad Review.”

September Call For Submissions Round Up

image from optnclipart.org by Firkin

 

We’re really getting into crunch time for horror, fantasy, and science fiction writers.  Calls for submissions are coming in by the dozens.  Hope you have game face on for these next two months.

 

September 14th

Thug Itch: 1,000-5,000 words horror, scifi, or speculative fiction centered around one of the listed scientific concepts (they will read five stories from each concept and choose one to be in the final anthology) pay is $5 for under 2,000 words and $10 for about 2,000 words

 

September 15th 

Corpus Press: 2,500-4,500 words Non-themed horror stories pays $.03 a word

18th Wall: 4,000-20,000 word on finding/interacting/discovering a lost book or lost books.  There is a TON of prompts, suggestions, extra information in the post go there for more.  It seems like such a cool idea to me  The pay structure is strange.

Dead Man Tome: 5,000-7,000 words theme is Bikers vs the undead pays a $10 token and 60% net earnings

Scifi Monkeys Seasons She’s an Elf: 2,000-7,000 words must have a female elf be the lead character all genres EXCEPT horror welcome there’s a % scale for pay

Zimmel House November Falls: 4,000-25,000 want a story that takes place in the fictional town called November Falls and they want the place to feel like a community, this is a romance publication but nowhere in the request does it demand a romance story no pay

Arsenika: under 1,000 words flash fiction or poetry all genres pays $30 for poems and $60 for flash

Gehenna &Hinnom: 250-3000 word or 3001-5000 looking for weird and cosmic fiction if fantasy must be dark.  $30 for short story $55 per longer story

September 19th 

Do Not Go Quietly Into The Night from Apex Publishing: up to 7,500 words stories about resistance and revolution set in scifi/fantasy setting pays $.06/word minimum $60

 

September 20th

Enchanted Conversations: Under the Hunter’s Moon: 700-2,000 words 1,500 words is ideal theme is spook, spellbinding, or creepy in a fairy tale, folktale, or mythic settings “Absolutely none of the following: Sci-fi, dystopian, erotica, high fantasy, excessive world building, time-travel, futuristic or space travel.”   pays $10

September 21st

Cosmic Roots and Eldritch Shores: 1,000 words and up but short fiction is preferred.  Science fiction in all forms pays $.06/word

September 30th

Bumble off Plumb Anthology: 1,000-5,000 words on “something not quite right” all genres looking for weird, strange, stories with lots of twists. pays $.03/word

Not Just a Pretty Face bar Dead Light Publishing: 2,000-5,000 *female authors only* words about a female character who’s more than just a pretty face seems to be looking for a scheming or violent character flat rate $25

Grim Grit & Gasoline: put to 7,500 words it’s complicated but it appears like they are looking for fantasy/scifi/steampunk fiction that takes place in WWI with fairy tale elements interspersed sounds very cool pays $.01/word

Excession Press: 30,000-60,000 words  horror, science fiction, weird western, or dark fantasy they response time is 3-6 months pay $300 advance with 40% royalties afterward

Consequence:up to 5,000 words no genre and while they state they pay writers, I didn’t see prices listed for short stories, perhaps prose? $10?

Nashville Review: up to 8,000 words welcomes poems, fiction, and novel excerpts of all kinds pay is $25 per poem and $100 for everything else

 

October 1st

Red Room Press: 3,500-5,500 words the theme is American Psycho Serial Killers so looking for dark horror fiction about killers response time is 4-8 weeks and the pay is $100

Cherry Tree: didn’t see a word count?  Looking for literary fiction pay is $20

August Submissions Roundup

We have an ongoing submissions page here.  Back because it seems like our round ups get the most comments.

 

Aug 15th 

 

Strange Constellations– Short speculative stories 3,000-7,000 words scifi-fantasy preference but will take anything that compels pays $30

 

Psycho Pomp Magazine– up to 5,000 words”The Psychopomp Magazine staff is committed to publishing original fiction that dares to redefine traditional storytelling and genre borders. While we like stories that treat the concepts of passages, transitions, and the state of being betwixt and between, we are open to all work regardless of theme. We are generally not looking for traditional realist fiction or pure hard genre.” pays $.02/a word

 

A Punk Rock Future– 350-6,000 words “We’d like to see dystopias, utopias, or something in-between; anything with a punk rock sensibility/ethos; alternative history; the promise of punk; the failure of punk; music-inspired stories; science fiction; fantasy; or horror. No matter the genre label, stories must have a speculative element.” pays $.06/ word

 

Luna Station Quarterly– 500-7,000 words scifi/fantasy with Crones as the main proganist looking for female identified authors pays $5

 

Aug 21st

 

Colp– 1,000-5,000 words anything goes with the theme “Sky is the limit” pay $5 for 2,000 words and $10 for above 2,ooo words

 

Aug 22nd

 

Three Crows Magazine– up to 4,000 words looking for weird dark fiction or gritty fantasy/scifi/horror looking for morally ambiguous decisions pays $25

 

Aug 30th

 

Qulit Magazine– prose up to 8,000 words no genre suggestions pays $100

 

 

Oklahoma Pagan Quarterly– a scary story contest with prize money for Samhain aka Halloween themed stories.  They have more details at their side

 

Apparation Lit– 1,000-5,000 words on the them of the theme of diversion speculative in nature= scifi, fantasy, horror, weird fiction, genderless fiction pays $.01 a word

 

There are a lot more submissions out there, but I cut the list down to what interested me.  Others either didn’t click with my creative muse or insulted my inherent sense of value (I’d do that, but not for the money they’re offering).  Very subjective collection, but I hope it gives others a place to start this month.  Happy writing!

April Submission Roundup

April 15th 

 

The Finger– Either 2 flash at 5oo or 2 flash at 2,500 or 1 flash at 5,000 “take us someplace we haven’t been before”

 

Third Flatiron-Up to 3,000 words Galileo’s Theme Park–   Space opera, SF, physics. The great Italian scientist is famous for standing up for science in the face of the Inquisition, doing his best work while under house arrest. He also brought us our first views of Jupiter’s moons by combining a convex lens with a concave one to invent a high quality telescope. We invite you to take us on a journey to the lands beyond Earth revealed to us by Galileo and other space scientists. Suggested reading: “The Old Astronomer” by Sarah Williams”  pays $.06 word

 

Visions– Up to 5,000 words “The first issue will centre on the concept of home in the broadest sense, from the physical structure to the social construct. For instance, we hope the stories will revisit what the notion of home is – a house, a planet, a device? – and what it means to feel at home or homesick. What do we mean by home? How does the concept of home adapts as the world around us changes at a radical pace?” $.06 a word

 

Future Visions-2,000-7,000 words “The Future Visions Anthologies is a science fiction anthology series, aiming to deliver excellent and diverse short story collections on a quarterly basis. In the tradition of great television anthology series such as The Twilight Zone, and Black Mirror, the Future Visions Anthologies will broadly explore all genres and traditions of science fiction and speculative fiction, seeking in each story to explore deeply themes that are relevant to a modern audience

 

Circlet-2,500-8,500 words “Here’s your chance to talk about romance for the characters uninterested in sex. Give me your space pilots in serious relationships with their sentient ships. Think about how an incubus would patiently court a demi-sexual. Maybe you have a regency fantasy where only a virgin can wield the talisman, and thank goodness we’ve got an adult countess who can step up.” $25 for eprint and another $25 if print published

 

Iridium Magazine– ANYTHING with queer non conforming characters up to 5,000 words

 

Electric Spec– “We consider any story between 250 and 7000 words with speculative fiction elements. We prefer science fiction, fantasy, and the macabre, but we’re willing to push the limits of traditional forms of these genres.” $20 flat rate

 

April 16th 

 

Fantasia Divinity- 500-10,500 words. “Spring is a time for growth and rebirth. Beauty is everywhere as the world awakens and comes back to life. We are looking for stories that capture the essence of this beautiful time. What makes the flowers bloom? Why does love permeate the air? Be it nymphs, fairies, gods or goddesses, or even something far more sinister, we want to know. “

 

April 20th 

 

Dead Man Tome– “Genre and theme: Horror, Dark fiction, bizarro framed around conspiracies whether it be UFOs, JFK, 9/11, or Las Vegas. All conspiracies are fair game. Have fun.”

 

April 28th 

 

Unverving– “Haunted are These Houses is an anthology of Gothic fiction and poetry due out in September 2018, edited by Erin Sweet Al-Mehairi and Eddie Generous.” 400-6,000 words firm pays $.01 a word

 

April 30th 

 

Hellbound Book Publishing-5K-15K words “Shlock Horror An anthology of short stories based upon/inspired by and in loving homage to all of those great gorefest movies and books of the 1980’s (doesn’t need to be set in that era!), the golden age when horror well and truly came kicking, screaming and spraying blood, gore & body parts out from the shadows...”

 

Cohesion Press– 2,000-10,000 words military scifi horror

 

The Horror Zine– “GUIDELINES: Ghosts / haunted houses / haunted graveyards / general hauntings / spirits. Must be really scary. Must be original (not a reprint) between 2K and 4K words.”

 

COLP– 1000-5000 words adresses “passage of time”

 

The Geeky Press– “This collection isn’t meant to advocate a position. We aren’t looking for manifestos. We aren’t looking for academic papers. Instead, we want well-told stories, personal narratives, essays, and reflections in fiction, scriptwriting, and poetry from people who come from diverse backgrounds and want to share their American story

 

May 1st

 

Fiends in the Furrows–  5,000-10,000 words “Folk Horror has emerged from the shadows of the late 1960s and early 1970s into a haunting subgenre of horror, fusing atmospheric and horrifying elements of cults, pagan sex, and human sacrifice. In the world of Folk Horror, the laws of God and Man are stripped away by secretive, provincial, surreal, and occult ritualism that subverts the established order in favor of a monstrous, all-consuming, elemental force of ancient evil.

 

Apex Magazine– 1,500-5,000 words pays $.06 a word “This summer, award-winning author and editor Sheree Renée Thomas (“Aunt Dissy’s Policy Dream Book,” Apex Magazine, Volume 95 April 2017 and Volume 101 October 2017, Sleeping Under the Tree of Life, Shotgun Lullabies, and the Dark Matter anthologies) will guest edit a special Zodiac-themed issue. Sheree seeks short stories that explore the heavenly cosmos and unveil mysteries, tales that reimagine Zodiacal archetypes and/or throw them on their heads.”

 

Midnight Hour Media– 1,500-8,000 words “We are looking for horror, dark sci-fi, dark speculative fiction, neo-noire, and cyberpunk themes.  Please read the general submissions for more details.

 

Midnight Hour Media– 1,000-10,000 words “We are looking for holiday related horror, dark sci-fi, dark speculative fiction, neo-noire, and cyberpunk stories.  We like stories with Christmas, Hanukkah and Kwanza themes.   Alternatively, they can simply take place during the holidays (like how Die Hard isn’t really about Christmas) or even just involve wintery or snowy settings.  Please read the general submissions for more details.”

 

 

March Calls for Submission

A little last minute, especially for the mid March deadlines, but I figured I’d offer them anyway.

 

March 15th 

 

Cenorot 2,500-6,000 words pays $.06 a word the prompt: “The year is 2025. The planet has been riddled with radiation and in an effort to sustain life the world’s leading scientists have come up with a new procedure to keep humans and animals alive. The success rate was high … until the new creatures began to show signs of rot. Genetically and physically enhanced, these monsters begin to turn on each other and their makers.”  On a personal note I really wanted to write something for this and found myself bogged down in the “how” and “why” but I’d LOVE to read this anthology.  Hoping to see good things here

 

Transmundane Press up to 6,000 words story themed with dreams, hallucinations, nightmares, and/or visions pays $5-$20 depending on length

 

Gehenna & Hinnom Books  Their magazine does rolling submissions with one window closing March 15th.  Looking for weird and cosmic fiction $30 for flash and $55 for short stories they respond in 30 business days to a query.

 

March 30th 

 

The New Mexico Review 500- 1,500 words new and emerging fiction with south western flare

 

Corpus Press Halloween stories 4,000-8,000 words scary, atmospheric, thought provoking, humorous or satirical pays $.03 a word

 

March 31st

 

Pantheon Magazine “What we want: Weird, dark fiction; slipstream; magical realism; horror. Fiction with a touch of mythic quality. We want themes based around transformations—things that are shapeshifting, things that are emerging. Make Ovid’s Metamorphoses contemporary and weird and scary. We want a wide scope of voices, cultures, and perspectives.”  1,000-2,000 words flash pays $.06 a word

 

Arachane Press no more than 2000 words to celebrate the end of WW2

 

Weird Nature Anthology 2,500-10,000 words. The title intrigued me but I couldn’t make heads or tales or what the publisher wanted.  Couldn’t even figure out an excerpt to offer.

 

April 1st

 

Paper Dog Books 1,000-5,000 words “We’re looking for works of short speculative fiction that consider the future of the internet, artificial intelligence, the mind, and robots. Give us your optimistic, fantastic, bittersweet stories of fantasy and science fiction” pays $.06 a word and attempts to respond within 60 days

 

 

 

The 10 Best of Dailyscienefiction.com’s February Stories

1. “Motherland” by Jasmine Ang started Feb strong.  Emotionally charged, the work explores the theme of separation.  The “science fiction” angle comes in, I believe, by providing an example of how technology both lessens the sense of separation and intensifies it.  Feb is the coldest month of the year here in Alabama so feelings of isolation and sorrow seem to dovetail my weather perfectly.

 

2. “Lingua Flanka”  by David M. Armstrong was heavy handed.  The opening and the middle felt intellectually insulting.  I’m including it because it covers themes that I think are important to discuss but even then, the work feels muddied.  Like Armstrong wanted to be controversial but didn’t understand how to do even that basic part well.  I appreciate the attempt for artists by interspersing different narrative elements, but the execution left a lot to be desired.  Great theming and ambition.

 

3. “Dispell” by Preston E Dennett was cute.  The fantasy theme was notable, and given my preferences, made me more likely to enjoy it.   There were elements that I found distasteful.  The female voice, in particular, felt stilted, as if the author had never spoken for very long with a woman or as if the author has only known and women in very shallow ways.  But I thought the punch line at the end was worth the read.  And I want to give the author some props for trying to explore an element of society it seems clear he doesn’t get.  There’s both a thoughtful and boorish execution to it.

 

4. I really love Mary E. Lowd’s work.    “Heart of the Gas Giant”  is a continuations of her other stories.  I’m beginning to see a larger picture where her characters go to the same places in space to achieve different goals, or where we will focus on a different main character but still get an update on the last main character.  Her ability to summarize the last stories in a line or two, are pretty inspiring.  I’d like a  collection of all her little works in a larger work.  She brings a childlike joy and wonder to the vast array and variation of space.  But her stories are written in a way I think all ages could appreciate them.

 

5. “Resolve, in Four Heartbeats”  by Kell Rajasalu is great.  The work is confusing in several angles, but by the end, I understood the basics of what had happened and felt like I’d read a longer arch than she’d offered.  She had deeper characters in her short than make authors achieve in novel length works.

 

6. I really enjoyed “Kicking the Football” by Margaret Sessa-Hawkins.  It’s sweet and very tightly written.  While it has a huge advantage because it’s about characters we are all largely familiar with, it still successfully captivates it’s own unique concept.  This to me, is the spirit of excellent fan fiction and what elevates something from copyright infringement to it’s own concept.

 

7. “The Ones Who Chose the Rain” by George Edwards Murray  was a sad story.  I don’t know exactly what I liked, possibly the genre, but the work struck me.  It’s filled with ennui and pain.  Don’t read if you’re depressed.

 

8. “Introducing Your Parents to the Spoils of Adventure” by Bryan McNab was funny, told in second person, and fantasy genre.  What more do you need?

 

9. “The Sword” by Mari Ness  was a fun update on a “classic” medieval scenario.  I didn’t love it, but it was a cute short story with a reasonable close.  There was a story earlier this month that I waffled on whether in include and ultimately dismissed it because there wasn’t enough going on and this one made it in because there was a “diverse voice” and I am swayed by scenes I see less if even when I think they lacked some indefinable element.

 

10. “Fight for the Stars” by Shannon Fay was a well constructed complete world.  She took a story that I’d have hated to see play out in the three hour movie and boiled it down to an enjoyable 1000 words.  The story kept me engaged in each word.  Instead of liking it “in spite of it’s length” as I do many short stories, I actually think the format os part of what allowed me to be taken in and really become enchanted by it.

 

Overall, February was an interesting month for Daily Science Fiction.  The works I chose were by authors who had a lot less on their resumes than last month’s authors.  I wonder if there is a trend to how Daily Science Fiction groups it’s works.  It has felt random as a reader, but collecting through collecting all the works I found value in, I hope to find patterns.  Impatience is a major fault of mine though, so I’ll have to see what next month brings!

 

Want to check out January’s Science Fiction picks?  Check it out here