Choosing Non-Violence in Writing

image from open clipart.org by studio_hades

I write all kinds of stories, but my favorite ones are where my character is presented with an opportunity for violence and rejects it.  It’s where my real life persona bleeds into my writing.  

 It’s difficult as a writer to create stories centered in nonviolence.  A death, fight, or even the threat of violence creates stakes in a work that keeps readers interested.  If no one is going to die or be harmed, then what drives investment?  

  1. Build interesting Characters.  Characters a reader wants to learn about benefit ALL works, but building a curiosity about “what will happen next” when a reader is confident the character is “safe” is crucial if you aren’t going to hold anyone’s life at gunpoint.  Readers have to invest because these your characters are funny, charming, quirky, intelligent, or determined.  
  2. Build Relationships.  Core to the soap opera genre is the “will they won’t they” “What will happen when Susie finds out?!” kind of drama. While soap operas also offer violence, often because serials have gone on soooo long, every relationship twist has been picked clean.  If you create deep complicated characters with established relationships, they you can hold interest with their interactions a long time, without ever threatening anyone’s life.
  3. Have a lot of characters.  People are social animals, and we like social interactions.  Instead of two main characters.  Have ten.  Let them have their own side plots, spread them out in your world.  Let them argue, separate, go their own ways and meet back up.  Conflicted goals and ideas can create a rat race to see who achieves their ends firsts.  Watch the “good people” get lost in less than moral means to their ends and the “bad people” gain humanity as they see all the harm created from theft x.  
  4. Add Mystery.  If people aren’t going around stabbing each other and shooting up schools, then there needs to be something else happening.  A quest, a pilgrimage, a strange ritual, or an action element that’s out of place.  Something curious or suspicious that makes readers wonder “what’s really going on?”
  5. Add Movement.  Violence is often equated with action, but it doesn’t have to be.  Dance, chases, cooking/cafes/restaurants/hotels all incorporate motion by design.  Giving the reader little actions to focus on