All About that Genre, that Genre, that Genre

image from open clipart.org by SteveLambert


When I queried agents over my novel Follow Me: Tatter Veils, I got one personal rejection.  The agent (and I apologize as I can’t find the email to name him) told me a major stumbling block I might encounter in pitching my novel is that I suggested it for multiple genres.

My mind makes connections.  If someone followed my thought process, it’s like one of those mind maps except almost everything connections to each other some way.  In all my work pulling together this massive 75,000 word work, I’d never thought opening it up as a genre crossover would limit my ability to market.

Since then, I describe Follow Me: Tattered Veils as an Urban Fantasy. It fits considering the book happens in present day world and introduces magical/mythic elements into an otherwise mundane setting.

Except, it also doesn’t fit.  Follow Me: Tattered Veils is at its heart a book about obsession and stalking.  The protagonist, Roxi, is living her daily life when Gerry, an ancient unpredictable fae being, deigns to take notice of her.  From there, it’s a cat-and-mouse game of near brushes and tense attempts from Gerry to lure Roxi into his world.  The novel culminates in a chase through faery land where Roxi must either save her friends and escape this dangerous world or surrender her autonomy to Gerry.   

Could be Magical Realism.  I use the concept of fae glamour to make these otherworldly beings hide in plain sight.  I suggest this idea of two realities, the one we know and this other layer waiting underneath that Gerry, Roxi, and others work with.  It isn’t the traditional secret society type deal, more like an alternative experience of reality.

But, I think Magical Realism has more magic integrated that’s just a shoulder shrug.  Everyone knows about it, accepts it, and moves on.  My magic systems imply they are real like Christianity and like Christianity, few people have or seek a genuine experience.

My colleague Lionel Green, suggested the back was “terrifying” and he read straight through that part “non stop”.  It makes me wonder, is my work horror?  There are both the real world and fantasy elements of the book that are horrifying.  

In my heart, the book is a lot more about how a woman experiences the male gaze.  In that way, I think Follow Me: Tattered Veils might be women’s fiction.  The men who have read the book suggest that they “enjoyed reading it.  Good on its own, but I’d never buy this book based on the description.”  Does this feedback mean I’m marketing the book badly for both genders or is the work intended for a female audience? 

This sort of bullshit was why I wanted an agent.  Don’t they help you find and speak to an audience?  What do they do?  Because I had the idea, wrote it, edited it, and submitted it. So I’m just wondering when someone else comes in to help or if publishing is a solo journey.    

Alas, I need to choose the genre too.  Is there any part of publishing that isn’t a struggle?

Does anyone else have trouble identifying their genre?  Do you think being in the right genre is core to success?  Have you written anything that someone has labeled a cross over?

What about summarizing long works or picking which elements are most paramount?  I am so invested in Follow Me: Tattered Veils, sometimes it’s hard for me to know what’s important.  Any tips or tricks?  Do I Google search what’s hot and sell it that way?

September Call For Submissions Round Up

image from optnclipart.org by Firkin

 

We’re really getting into crunch time for horror, fantasy, and science fiction writers.  Calls for submissions are coming in by the dozens.  Hope you have game face on for these next two months.

 

September 14th

Thug Itch: 1,000-5,000 words horror, scifi, or speculative fiction centered around one of the listed scientific concepts (they will read five stories from each concept and choose one to be in the final anthology) pay is $5 for under 2,000 words and $10 for about 2,000 words

 

September 15th 

Corpus Press: 2,500-4,500 words Non-themed horror stories pays $.03 a word

18th Wall: 4,000-20,000 word on finding/interacting/discovering a lost book or lost books.  There is a TON of prompts, suggestions, extra information in the post go there for more.  It seems like such a cool idea to me  The pay structure is strange.

Dead Man Tome: 5,000-7,000 words theme is Bikers vs the undead pays a $10 token and 60% net earnings

Scifi Monkeys Seasons She’s an Elf: 2,000-7,000 words must have a female elf be the lead character all genres EXCEPT horror welcome there’s a % scale for pay

Zimmel House November Falls: 4,000-25,000 want a story that takes place in the fictional town called November Falls and they want the place to feel like a community, this is a romance publication but nowhere in the request does it demand a romance story no pay

Arsenika: under 1,000 words flash fiction or poetry all genres pays $30 for poems and $60 for flash

Gehenna &Hinnom: 250-3000 word or 3001-5000 looking for weird and cosmic fiction if fantasy must be dark.  $30 for short story $55 per longer story

September 19th 

Do Not Go Quietly Into The Night from Apex Publishing: up to 7,500 words stories about resistance and revolution set in scifi/fantasy setting pays $.06/word minimum $60

 

September 20th

Enchanted Conversations: Under the Hunter’s Moon: 700-2,000 words 1,500 words is ideal theme is spook, spellbinding, or creepy in a fairy tale, folktale, or mythic settings “Absolutely none of the following: Sci-fi, dystopian, erotica, high fantasy, excessive world building, time-travel, futuristic or space travel.”   pays $10

September 21st

Cosmic Roots and Eldritch Shores: 1,000 words and up but short fiction is preferred.  Science fiction in all forms pays $.06/word

September 30th

Bumble off Plumb Anthology: 1,000-5,000 words on “something not quite right” all genres looking for weird, strange, stories with lots of twists. pays $.03/word

Not Just a Pretty Face bar Dead Light Publishing: 2,000-5,000 *female authors only* words about a female character who’s more than just a pretty face seems to be looking for a scheming or violent character flat rate $25

Grim Grit & Gasoline: put to 7,500 words it’s complicated but it appears like they are looking for fantasy/scifi/steampunk fiction that takes place in WWI with fairy tale elements interspersed sounds very cool pays $.01/word

Excession Press: 30,000-60,000 words  horror, science fiction, weird western, or dark fantasy they response time is 3-6 months pay $300 advance with 40% royalties afterward

Consequence:up to 5,000 words no genre and while they state they pay writers, I didn’t see prices listed for short stories, perhaps prose? $10?

Nashville Review: up to 8,000 words welcomes poems, fiction, and novel excerpts of all kinds pay is $25 per poem and $100 for everything else

 

October 1st

Red Room Press: 3,500-5,500 words the theme is American Psycho Serial Killers so looking for dark horror fiction about killers response time is 4-8 weeks and the pay is $100

Cherry Tree: didn’t see a word count?  Looking for literary fiction pay is $20