November Open Calls for Submission Round Up

from openclipart.org by raseone

 

To be included in this issue markets must pay at least $.01 a word.  Some flat rates only pay that if writers stick to the minimum word count, and royalty pay = all bets are off.

Nov 11th

Speculative City:  open word count suggests nothing above 5,500 word count.  Looking for a speculative work using the theme “knowledge” has a preference for under represented characters within the genre but accepts all stories. responds in 90 days.  pays $20-$75

Shooter: 2,000-7,500 words the theme is rivalry “Send us stories, essays, reported narratives and poetry on anything to do with competition, antagonism, warring forces and individual foes. The context might be sports, business, romance, politics, survival; the characters might be students, frenemies, parents, current and former lovers, courtroom opponents. As ever, the theme is open to wide interpretation.” pay $25 a story

Nove 12th

Pseudopod: 1,500-6,000 words “We’re looking for horror: dark, weird fiction. We run the spectrum from grim realism or crime drama, to magic-realism, to blatantly supernatural dark fantasy. We publish highly literary stories reminiscent of Poe or Lovecraft as well as vulgar shock-value pulp fiction.” pay is $.06 a word

Nov 14th 

One Story: 3,000-8,000 words looking for literary fiction that stands on it’s own. 3 month response time. pay $500 and 25 contributor copies

Bikes in Space, the Non Binary Edition: 500-8,000 words on bikes in space scifi/fantasy genre with author and characters with non binary gender expression pay is at least $30 with 5 contributor copies

Nov 15th 

Lamplight: up to 7,000 words “dark fiction, both short stories and flash fiction. We want your best. But then, doesn’t everyone? No specific sub-genres or themes, just good stories. For inspiration, we suggest “The Twilight Zone”, “The Outer Limits”” pay is $.03 a word

Gehenna& Hinnom Books: 250-3,000 for flash and 3,001-5,000 word short story “We are looking for stories that fit the themes of Weird Fiction and Cosmic Horror. Horror, Science Fiction, and Fantasy are all welcomed, as long as they fit in the realms of Weird and Cosmic. All stories must also be speculative in some way. What we mean by this is that we don’t want stories based in realism.pay is $45 for flash and $55 for short story

Apparition: up to 1,000 words on the theme security pay is $5 flat rate

Nov 16th

Nothing’s Sacred3,000 words max “The horror within can range from subtle to grotesque, psychological to physical, dark to full out terror so long as it is character driven. Theme wise, Nothing’s Sacred is relatively open outside of distasteful stories of rape, the degradation and/or humiliation of women, and child porn of any kind.”pay is $.05 a word and accepting the magazine’s hypocritical title

Nov 25th

Moonlit Dreams/ Moonlit Nightmare: 1,500-10,000 words “short stories that explore the nature of the psyche, the world (or worlds) around us, and that speaks in some way to the theme presented. Stories should be well crafted and flushed out, having elements of a great story that could be told for generations to come. Including such things as romance, intrigue, comedy or drama are all par for the course as far as I’m concerned – the key is to write a story that lingers both in your heart and mind by the time the last page is turned.” pay is $.01 a word

Nov 30th

Mickey Finn 20th Century Noir: about 5,000 words under 3,000 is probably too short and over 8,000 will be too long “An annual anthology of hardboiled and noir crime fiction to be released each fall beginning in 2020, Mickey Finnwill pick up where the three-volume Fedora anthology series left off, pushing hard against the boundaries of crime fiction. Contributors will be encouraged to push their work into places short crime fiction doesn’t often go, into a world where the mean streets seem gentrified by comparison and happy endings are the exception rather than the rule.” won’t hear back to Feb 2019 pay is royalties 

The Twelfth Planet Press: 17,000-40,000 words “We want gritty pieces that challenge the system and punch the patriarchy in the face. We want stories that resist and rebel… and maybe also books that comfort & inspire. For when things are bad out there in the world. We are looking for books that feed the angry soul.” pay is $300 plus royalties

Third Point Press: up to 3,500 words no theme or genre guidelines pay $10 and a copy

Moonlight a Queer Werewolf Anthology: 1,000-2,000 words “Whether your werewolves are in space, school, or ruffing it in the outdoors, it doesn’t matter to us! We are looking for stories that span genres and tones. Your werewolves may be moody or the life of the party. All that matters is that they are openly queer and that there is an engaging story around them to be told.” pay is $.07 a word

Crannog: under 2,000 words no genre or guidelines pay is $50 per story

Apparition: 1,000-5,000 words on the theme of resistance “Apparition Lit is seeking original, unpublished speculative fiction that meet our quarterly theme. Speculative fiction is weird, almost unclassifiable. It’s fantasy, sci-fi, horror, and literary. We want it all. Send us your strange, misshapen stories.” pay is $.03 a word

Podcastle: up to 6,000 words “looking for fantasy stories. We’re open to all the sub-genres of fantasy, from magical realism to urban fantasy to slipstream to high fantasy, and everything in between. Fantastical or non-real content should be meaningful to the story.” pay is $.06 a word

Nov 31st

Martian Migraine Press Monstrous Outlines: 1,500-7,000 words “an anthology of horror and weird fiction with a focus on the theme of camouflage: people, entities, monsters, gods, even concepts, that masquerade as things other than themselves. Predators in plain sight, deities on their down time, sublime extra-dimensional terrors slumming in 4D. We want to see stories of exceptionally well done camouflage, all the more baffling and frightening for its seamless nature. We want to see stories of seeming where the hidden thing is poorly hidden for a number of reasons: perhaps there are layers to its camouflage, or perhaps it doesn’t care how well it hides. Imagine the moment when the perfectly hidden thing reveals itself. When the poorly hidden thing reveals itself. We’re also interested in duplicates, doppelgangers, and shapeshifters.” pay is $.03 a word

Dec 1st

Remnants: word count varies a post apocalypse shared world story/series go to the site for details.  Pay: royalties

2100 A Health Odyssey: “give us your best 3,000-word short story that challenges today’s assumptions about the future of health care in the U.S. We’re offering a first prize of $10,000, second prize of $5,000 and other prizes for runners up and current employees, students and alumni of Jefferson.

Compelling Science Fiction: 1,000-10,000 words science fiction genre pay is $.06 a word

Deadman’s Tome: 4,000-7,000 word short story OR flash “Horror and dark fiction about demented psychopathic killers with a winter holiday setting” pay $10 plus royalties

 

 

Behind the Scenes: Writing “Halloween Spirit”

image from openclipart.org by bf5man

This post speaks to my personal writing process for “Halloween Spirit” and as such is contains spoilers for that work.  For a deeper understanding of the elements included or explained in this post please read my flash fiction (it’s short and free ^_^).

Zach Standfield challenged me to write a piece of flash fiction in August. One of the ideas I had was to create an elaborate detailed summoning rite that brought about the end of the world. The short work would focus on my strengths: lyric description and magic set in a modern world. It would avoid my weakness for action scenes and it side steps issues I have about over explaining or creating a finite conclusion.

I wrote two flash works for Zach (neither of which he’s seen) and they both took a grim turn resulting in the brutal murder of the female main character from outside forces she surrenders to. Waaaaay too close a metaphor for the suicidal tendencies slipping into my own head because I’m not handling stress well at work. For the record, I’m not contemplating a plan to end my life, it would be stupid to take a permanent solution for a fleeting problem. But the stress from ongoing conflicts at work is leading me to think “it would be much easier if I wasn’t around” and that was coming through too literally in my writing.

I shelved the third flash idea since I didn’t want it to morph into a 30 something female woman sacrificing herself on the boardroom floor, using the energy of her death to open a hell dimension that forces the people who mistreated her their to suffer for eternity.

Then, I had an idea for our blog. Each of us should write a Halloween themed flash for our blog. Awesome idea, except I suck at short stories and had no idea what I would write.

I thought maybe I’d lean into my fae angle and do a “Wild Hunt” style thing, but “The Most Dangerous Game” already exists. Plus, the idea took over 1,000 words to explore. If I wanted to do something new/interesting, it would take more than 1,000 words.

Next I thought “what’s my thing in the writers’ group?” My literary device is some kind of magic. This reminded me of the summoning story I‘d planned for Zach’s challenge. The problem: no Halloween tie in. So I changed the summons and instead of focusing on a cinematic summoning ritual, I focused on the holiday and hidden darkness that lingers in the fall. I played on the “Wicca” God and Goddess creation myth where the Goddess Births the God, they become lovers, and he dies on Samhain, to be birthed out again in the following Yule. I tossed in two cult classic “Wicker Man” (1973) references to hearken the reader back to a certain time and tone.

For birds gathering, I chose crows over ravens primarily to reference the figure “The Crow” (1994) and foreshadow the death elements. Also, crow mythology pegs the creatures as watchful, resourceful and often tricksters… all elements I wanted to elicit in my story. I thought about using Ravens in honor of Edgar Allan Poe, but those birds are larger, live in only specific regions, and mythologically relate back to winter.

I wrote the first 600 words in one afternoon and would have finished, but I had to stop and go to work. I reread/edited what I had so far and finished the first draft four days later. Ran everything through ProWritingAid and posted to Google Docs for the Writers’ Group to Critique. I read it out loud one last time and added it to our queue for publication.

While the creation process was painless, I’m torn on whether I like the final product. There are great single lines and ideas, but the word limit combined with the time constraint kept me from digging in to find a perfect moment. I usually only consider works done after months of review and reflection, so I figure in six months time, I’ll know what would make this story engaging.

 

Interested in reading more from Jessica Donegan?  Check out the NEWG bliz round robin exercise here with Jessica’s ending available here

Looking for more spooky stories, please consider Christopher M. Palmer’s work “The Ghost Strikes at Midnight

Halloween Spirit

Continuing the challenge from writers’ group to write a spooky Halloween flash fiction (under 1,000 words) story.  I couldn’t leave Christopher M. Palmer to have all the fun ^_^

-Jessica Donegan

from openclipart.org by j4p4n

It’s too early to feel the chill in the air or to see the leaves burn, but the cloaked figures know it’s the perfect time to prepare. As the grain rolls into the full harvest and man rests in his power, they pick the perfect location: an abandoned lot. Was it once a Circuit City? No one remembers, technology’s wheel spins far faster than the natural turn of time.

 

Vague chalk markings and a quick chant bless the hollowed building. This is the chosen vessel. Common elements like graveyard dirt, salt, and water charge the structure.  A shadow of intention settles.

 

Weeks pass, mundane as all those before them. Do more crows rest in the lot? Who can say?  Even if the sky shadows with dark wings, what does it matter? Anything is better than those fat pigeons with dull eyes. Perhaps rust colored markings grow in the parking lot, but isn’t that part of the lot’s decay? If the strange shapes look like markings, they must be a construction crew’s notes. Wouldn’t it be nice if the city did something with this eyesore before the building collapses in on itself and becomes dangerous to the locals? The strange script must mean revitalization.  

 

Days grow darker. Mid September arrives unnoticed by the masses. The back-to-school frenzy distracts, and then it’s a matter of settling into their new normal. Familiar change pulls everyone toward the quiet peace that settles in most homes until Thanksgiving. If anyone watched the shadows grow in the old lot, they’ve forgotten it in their rush.  Those contractors never acted on the strange red scrawled notes. No demolition or construction came to fruition. The effort stalled. Are they tied up with the inspectors?

 

It’s a shame we won’t see the new building before Christmas. Who was hoping for a custom sporting goods store or a boutique that showcased their style or a toy store for the kids? All pointless pondering: it will not happen in time for Christmas this year.  

 

The cloaks smile, in growing twilight. Crows cawing drown out the chink as they cut chained doors. They slip inside the building. Cobwebs scrawl their own spells across the rafters. Rats scurry, but they’ve already feasted on poisoned bait. No point to bring in hunters when time will do the work.

 

They bring the salt and water from before, reinforcing the foundation, but it’s time to add spirit to their intent. Passion, movement. Sage smudges burn in each of their hands. The cobwebs shrivel in the heat and the coven laughs. The chanting rises, relentless. Fluid movements of the group become harsh choppy waves. They part and flood the old shopping aisles. Blood runs free as the group scratches and scrambles for those last moments of life. Sacrifice is necessary, they will die, but not alone. The building fills with endings. First the failure of some long defunct chain, and now the organic viscera of blood. Sage ashes float across the floor like restless dust bunnies. Energy builds boiling: the wicker man will rise.  

 

Bright banners adorn the re-purposed building. Orange as the dying sun and the dark smoke of the reaper rise in the public’s perceptions. Smiles of the young at heart curve across the mass’ faces as they drive by a once abandoned lot. Frowns fill frumpy prudish faces.  

 

A Halloween store,” they think, “it’s the fleeting fancy we needed.”

 

And Halloween Spirit reaches out to embrace the masses. A waving ghoul extends its arms by the entry. Tall air blown dragons hold fire in their eyes as their wings flap with impressive mechanizations. Ghouls drag plastic carcasses across the floor, startling inattentive adults and terrifying little children. Movie characters of the moment peel manic, terrifying laughter. It leaves no pop culture reference of the moment unmined. A spectacle of capitalism as much as love of the holiday.

 

Pimpled disinterested teens staff registers. When they aren’t too busy watching their phones, they make jokes at the expense of their clients. Don’t these people know Halloween isn‘t for sale? It’s a time of pranks, mayhem, and fear. A $90 costume won‘t make the experience. Fools, all the casual shoppers.  

 

But they invoke the Spirit and it sits with an arcane sentience. Watching its patrons and worshipers alike. Disguised as a common retail front, it plants seeds in all is customers.  

 

As the moon rises luminous and night takes hold, the cloaks gather one last time. Fire cleanses their summoning as they wail and dance. Tearing clothes, pulling hair, and shredding skin. The end arrives and they embrace the darkness as the embers burn out. Autumn is a natural conclusion, like old age.  Their Elder God demands humanity pay its price each year.

 

The uninformed populace laughs and goes door-to-door gathering treats.  Older revelers pose at the bar in full Hallow’s Eve regalia. For some unfortunate few, those who fell to the siren’s call of a certain store front, their soul will be stolen away tonight. Smile wide and drink deep from life because in the twilight sits every man’s end. Death, like Damocles’ sword dangles.  In this end, those few costumed in an unknown deadly contract will see the truest face of All Hallows Eve.




 

February Roundup: Calls for Submissions

First, few caveats.  I did not include any publisher who asked for a reading fee.  I also didn’t include grants, contests, or publishing offers that were region locked to an area outside of Northern Alabama.

 

What I did include were all publishing offers I could find that I thought may have appeal to any current members of our writing group.  That said, some of the calls for submissions seems like they may be less stable or professional than other markets.  I did try to exclude anything that appeared like an obvious vanity press, but there are some calls here I wouldn’t submit to.  Use your own discretion.

 

Due Feb 15th 

 

Deciduous Tales– “We are looking for horror and dark fiction with well realized characters, a strong voice and literary merit between 1000 and 5000 words. Query first for any story longer than 5000 words.”

 

Due Feb 16th

 

Black Button– 2000-6000 words midwestern themed horror and dark fiction.  Integrate family dynamics.

 

Due Feb 28th 

 

Dark House Books– Has 2 calls!  one is a 2500-5000 words cozy to cozy-noir stories featuring libraries and librarians the OTHER poetry, flash, short fiction, and creative nonfiction reflecting the theme of sanctuary, refuge, shelter, or asylum, from the perspective of those offering, seeking, denying, or destroying it. From Bangladesh to the city animal shelter, all are welcome, as are all genres.

 

Red Rabbit Press– 3000-6000 words military scifi

 

Parsec Ink– 5000 words on music in fantasy, horror or scifi

 

Beneath the Waves– 5000-8000 words on water/ transformation/ sea monsters

 

Nafarian– 2500-5000 crimes with a twist

 

Due March 1st 

 

If This Goes On– up to 5000 words at least 1 generation in the future but further out is preferred and it needs to relate to current political issues $.08/word

 

Body Parts Magazine– Flash up to 1000 AND short stories up to 8000 words theme is “primal fears” looking for horror, dark fairy tales

 

“This Book Is Cursed“- Up to 7,500 words the theme is “this book is cursed” includes tombs, theater curses, sports curses random vengeance curses

 

Hex Gunslinger–  1000-1500 flash, 1001-7499 short story, 7,500-17,499 novellette and 17,500- 40,000 novella speculative, mysterious, and romantic weird western tall tales! Framed as an unearthed secret library years after the civil war, each story should hold the ethos of western expansion beginning in 1803 with the Louisiana Purchase, and ending around the 1850s not necessarily restricted to a North American audience. Do not take manifest destiny as a mantra to live by. Shape a world with all the magic and mystery of the frontier without letting the ugliness of conquest be consumed with fantastic whimsy. We want wide open plains where violence ruled, underground movements brewing with tension, and the Wild Wild West in all it’s beauty and madness. Bring us your stories marking the age of the gold rush, injustice, genocide, mass immigration, transcontinental railroads, vigilante justice, telegraphs, outlaws, gunslingers, slick talkers, setting suns, and the impending civil war that would rip a nation apart.  They want Pulp fiction, Weird Western, Cattlepunk, Southern Gothic, Folkloric Monsters, Occult Magick, Slipstream, Cowboys & Aliens, and so on

 

Baba Yaga Anthology– 7,500-20,000 words. Kate is looking for stories from Baba Yaga’s point of view, or the point of view from those she helps or hurts, or from anyone who might be a protagonist worthy of the Baba Yaga story. You can set the story in the past or present. The story can take place anywhere in the world. It can include romance or action or tragedy or comedy.

 

Dark Water Syndicate– 5000-8000 words “We are interested in short horror fiction about people who sneak into abandoned, forgotten, shunned, or cursed communities and survive to tell the tale. For example: Centralia, Pennsylvania—the mining town abandoned because of an uncontrollable underground coal fire; Love Canal—the New York neighborhood declared off-limits due to extreme environmental pollution; and Pripyat—the Ukrainian city evacuated after the Chernobyl disaster. The emphasis is on communities—a haunted house or other such localized place is not large enough to qualify. The place or people in your story must be fiction, must be told in 1st person and must be a present day adventure

 

Horror Short Story Contest– “Entries must be 2000 words or less, typed in 12 point Times New Roman and include your name, age, and contact information.”

Best of DailyScienceFiction.com’s January Stories

Daily Science Fiction’s   name is deceiving.  They are an online site that send subscribers a daily short in all varieties of science fiction and fantasy.  The short stories are held online in an archive and some are also published in their anthologies.  When I first came to the North Alabama Writers’ Group, it was one of the first resources suggested to me.  As writers we are encouraged to read others in the genre, stay current, but we are also encouraged to submit, submit, submit!  Daily Science Fiction can help an ambitious writer with both those goals.

 

In my year long relationship with Daily Science Fiction, it has turned into one of the white whales of the North Alabama Writers’ Group.  In a state of constant call for submission, but no matter how many of us offer dribbles, quite a few hand crafted for the medium, none of us have been accepted.  At the same time, we’re reading what feels like a bunch of garbage.  We find ourselves saying “I could do better” or “I have written better”, but we must be missing some quality or reoccurring theme.

 

In an effort to crack the Drabble code, I’m reading all the stories they send me.  Instead of bemoaning the terrible, I thought I’d just offer a monthly round up of what was good and why it worked for me.  These are ordered how I received them (excluding one I’ll get to).

 

“A Villian Considers His Options” by James Beamon—It’s funny and it has an almost meta quality.  Love his use of an acronym to name his A.I.  This is Beamon’s fifth publication to Daily Science Fiction.  I was able to find two previous submissions. One, “17 Amazing Plot Elements… When You See #11, You’ll Be Astounded” was terrible.  I’ve yet to read a list from Daily Science Fiction I like, so I’m thinking that even though there’s an obvious market for this type of writing, it’s just never going to be to my tastes.    The other “Settling Beef” was excellent.  Still sharp and funny like “A Villian Consider’s His Options” but also heavy with a relevant message in today’s world.  Of the three, it was the most successful store, though I still prefer “A Villian Considers His Options” best because is was the most amusing.  All three show a signature humorous voice and style.  Two do so in a way I found successful.  Beamon has a Goodreads page that shows he contributes to themed story collections and has one stand alone short story published, all showing high Goodreads ratings.

 

Emily Post’s Guide to Alien Encounters” by Audrey A. Hollis — excellent story telling.  It gave me a complete and deep arc in very few words.  I’m delighted one of the authors I like is female and I’m following her on twitter https://twitter.com/audreyrhollis.

 

Winged Fold Only” by Mary E. Load—a fun feel good story with a simple moral.  Her bio is just as entertaining as her story, and it gives me a new goal of what I want to aspire to in my own bio.

 

The BEST part about Mary E. Lowd’s work is that she wrote a sequel to “Winged Folk Only” also published this month in Daily Science Fiction called “Go High” —It was also on my list of good reads.  I really like Evben and hope to get more 1000 words on her.  This sequel was probably middle of the road for me.  Still cute and descriptive but with less of an emotional appeal.  What I loved what it’s connection to her earlier story.

 

Mary. E Lowd was published by Daily Science Fiction a total of 4 times this month, and I enjoyed three of her stories and was on the fence about one of them.  In the case of her other two, also connected, stories I wasn’t fond of the first “Queen Doripauli and the Sproutlings”. To me it lacked emotional depth and the action seemed to bland.  However, I loved the follow up “Waking up in the Genie Shop”.  What can I say, I’m a sucker for those sweet little moments in a story, and “Waking up in the Genie Shop” delivers.

 

Mary Lowd finished my January Daily Science Fiction experiment strong, but delivering one more wonderful story.  “Of Starwhals and Spaceships” is a fun short.  It has a childlike innocence and a general wonder for the universe.  It delivers on at least four complex thoughts, ones that would take me more than 1000 words to explain, which gives the work depth and almost mystic quality.

 

I found another 6 stories by Mary E Lowd on Daily Science Fiction, and I intend to read all of them.  For those curious they are “The Empty Empire,” “One Alien’s Wreckage,”  “Crowds on the Crossroad Station,” “Principles Over Profit,” “Inalienable Rights,” and “Cresent Horns and Tall Ears.”  I hope to find Evben in one of them and maybe a better backstory for Sloane and the sproutlings that makes me appreciate Queen Doripauli more.   Lowd is also a novelist, her books appear quirky, for a younger audience, and animal centric with a scifi twist.  Her books don’t seem quite right for me, but they were still neat to look at. Check her page out at Goodreads .

 

I’ve just finished reading “The book of the Unnamed Midwife” by Meg Elison, so when Daily Science Fiction brought me “The Library is Open” by Beth Cato, I had the opening scenes ready to go.  A peaceful bubble in the apocalypse where the normal becomes abnormal.  I liked how Cato played with tension.  Even in humanity’s darkest hour, her short left the reader feeling hopeful.

 

I found 6 other works on Daily Science Fiction for Cato.  They include: “Bear-Bear Speaks,”  “The Quest You Have Chosen Defies Your Fate,” “From the Ashes,” “Hatchlings,”  “10 Things Newly Manifested Wizards Should never do” (because everyone needs a list apparently), and “Measures and Counter Measures”.  She’s got a way with the titles, that make me very excited to find time to read these. Cato is also a prolific writer with a complete novel series and a new one started.  She’s also contributed to many Chicken Soup for the Soul editions.  Goodreads shows middle of the road reviews, but based off of her Daily Science Fiction contribution, I’m intrigued to read more.  I wish she were on kindle unlimited, but since I’d have to pay extra outside of my current book budget, I’ll just have to wait till I see a sale.

 

Maestro” by Neal A. Cline—is an example of a story that just barely makes my list and it’s for purely personal reasons.  First, I love tigers, so much that it caused me to do a lot of research on humanity’s relationship with wild animals and the process of domestication.  All of which lead me to believe that owning any wild animal in a pet like capacity will lead to tragedy 98% of the time.  Second, this story is about a mind link between human and animal, which I’m fascinated by.  Third, Cline brings up modern concerns over conservation of species and whether we can think it’s a success if we can only find some species of animal in a zoo (or in this case genetically modified to provide service for people).  Since I wanted to write a long opinion piece regarding what true conservation is and the value of a being outside of human use was, I decided to include this story.  “Like” is too strong an word for my feelings, but it did make me react, and that’s valuable.

 

Bone White” by Patrick Sullivan is an example of a work trying to blend a lot of working pieces and doing it with partial success.  I like the half of the story told in the past, it has a very “Emperor’s new Clothes” feel if the fairy tale included murder and depravity.  I love dark fairy tales.  The modern part, while possessing a chilling close, generally doesn’t work for me.  How come this cloak still exists?  Why wasn’t it destroyed or kept closely guarded?  It’s too much of a jump for me.   Still, a quick search shows Sullivan is new to publication and perhaps new to writing stories (publication =/= story experience). It’s a promising start and I’ll keep an eye out for more.

 

The Adjunct Professor’s Alien Girlfriend” by Marge Simon —was borderline for me too.  Description wise, there’s some elements about the male/female relationship I found concerning and annoying.  It’s further compounded in my mind because the woman is an alien and some of the “visa” description harkens back to “mail order brides”.  The sweetness of the ending helped me overlook a host of elements I didn’t appreciate.  Like “Maestro” it’s a great conversation starter, but not my favorite.

 

Simon is an accomplished writer.  Her work includes several award winning poems.  They seem to have an element of fantasy or scifi as well as romance.  Her Goodreads profile.  She also has 6 easily searchable publications in Daily Science Fiction.  They include: “The Sinner,” “Serving the Blind Girl,” “The Shutdown,”  “Found in the Wreckage,” The Human Guest,” and “Susan 3342 A.D.

 

Small Sacks of Children” by Andrew Kozma was a work I immediately disliked.  I almost skipped it only to find myself completely taken by the end.  Have to respect a writer who can instill such immediate emotion and then completely change the feeling in 1000 words.

 

I’m following him on Goodreads , though nothing up right now strikes my interest.  I found another 4 of his works in Daily Science Fiction: “Company Man,”  “When We Last Left,” “The Judges,”  and “The Mountain.”

 

That’s 10 out of 23 stories or a 43% success rate.  Do I think other people should subscribe to Daily Science Fiction and read all the stories—maybe?  What I liked, I really liked and introduced me to new writers I want to follow and keep and eye on.  It also gave me access to another 24 short stories to look at.  Will this help me be more brief in my own writing or open publication paths for me—I don’t know.  What I can say was that the process was fun and didn’t take a lot of time.  If you’re trying to get back into reading and not sure who to follow or what to pick up, Daily Science Fiction might be just the place to give you some leads.