November Open Calls for Submission Round Up

from openclipart.org by raseone

 

To be included in this issue markets must pay at least $.01 a word.  Some flat rates only pay that if writers stick to the minimum word count, and royalty pay = all bets are off.

Nov 11th

Speculative City:  open word count suggests nothing above 5,500 word count.  Looking for a speculative work using the theme “knowledge” has a preference for under represented characters within the genre but accepts all stories. responds in 90 days.  pays $20-$75

Shooter: 2,000-7,500 words the theme is rivalry “Send us stories, essays, reported narratives and poetry on anything to do with competition, antagonism, warring forces and individual foes. The context might be sports, business, romance, politics, survival; the characters might be students, frenemies, parents, current and former lovers, courtroom opponents. As ever, the theme is open to wide interpretation.” pay $25 a story

Nove 12th

Pseudopod: 1,500-6,000 words “We’re looking for horror: dark, weird fiction. We run the spectrum from grim realism or crime drama, to magic-realism, to blatantly supernatural dark fantasy. We publish highly literary stories reminiscent of Poe or Lovecraft as well as vulgar shock-value pulp fiction.” pay is $.06 a word

Nov 14th 

One Story: 3,000-8,000 words looking for literary fiction that stands on it’s own. 3 month response time. pay $500 and 25 contributor copies

Bikes in Space, the Non Binary Edition: 500-8,000 words on bikes in space scifi/fantasy genre with author and characters with non binary gender expression pay is at least $30 with 5 contributor copies

Nov 15th 

Lamplight: up to 7,000 words “dark fiction, both short stories and flash fiction. We want your best. But then, doesn’t everyone? No specific sub-genres or themes, just good stories. For inspiration, we suggest “The Twilight Zone”, “The Outer Limits”” pay is $.03 a word

Gehenna& Hinnom Books: 250-3,000 for flash and 3,001-5,000 word short story “We are looking for stories that fit the themes of Weird Fiction and Cosmic Horror. Horror, Science Fiction, and Fantasy are all welcomed, as long as they fit in the realms of Weird and Cosmic. All stories must also be speculative in some way. What we mean by this is that we don’t want stories based in realism.pay is $45 for flash and $55 for short story

Apparition: up to 1,000 words on the theme security pay is $5 flat rate

Nov 16th

Nothing’s Sacred3,000 words max “The horror within can range from subtle to grotesque, psychological to physical, dark to full out terror so long as it is character driven. Theme wise, Nothing’s Sacred is relatively open outside of distasteful stories of rape, the degradation and/or humiliation of women, and child porn of any kind.”pay is $.05 a word and accepting the magazine’s hypocritical title

Nov 25th

Moonlit Dreams/ Moonlit Nightmare: 1,500-10,000 words “short stories that explore the nature of the psyche, the world (or worlds) around us, and that speaks in some way to the theme presented. Stories should be well crafted and flushed out, having elements of a great story that could be told for generations to come. Including such things as romance, intrigue, comedy or drama are all par for the course as far as I’m concerned – the key is to write a story that lingers both in your heart and mind by the time the last page is turned.” pay is $.01 a word

Nov 30th

Mickey Finn 20th Century Noir: about 5,000 words under 3,000 is probably too short and over 8,000 will be too long “An annual anthology of hardboiled and noir crime fiction to be released each fall beginning in 2020, Mickey Finnwill pick up where the three-volume Fedora anthology series left off, pushing hard against the boundaries of crime fiction. Contributors will be encouraged to push their work into places short crime fiction doesn’t often go, into a world where the mean streets seem gentrified by comparison and happy endings are the exception rather than the rule.” won’t hear back to Feb 2019 pay is royalties 

The Twelfth Planet Press: 17,000-40,000 words “We want gritty pieces that challenge the system and punch the patriarchy in the face. We want stories that resist and rebel… and maybe also books that comfort & inspire. For when things are bad out there in the world. We are looking for books that feed the angry soul.” pay is $300 plus royalties

Third Point Press: up to 3,500 words no theme or genre guidelines pay $10 and a copy

Moonlight a Queer Werewolf Anthology: 1,000-2,000 words “Whether your werewolves are in space, school, or ruffing it in the outdoors, it doesn’t matter to us! We are looking for stories that span genres and tones. Your werewolves may be moody or the life of the party. All that matters is that they are openly queer and that there is an engaging story around them to be told.” pay is $.07 a word

Crannog: under 2,000 words no genre or guidelines pay is $50 per story

Apparition: 1,000-5,000 words on the theme of resistance “Apparition Lit is seeking original, unpublished speculative fiction that meet our quarterly theme. Speculative fiction is weird, almost unclassifiable. It’s fantasy, sci-fi, horror, and literary. We want it all. Send us your strange, misshapen stories.” pay is $.03 a word

Podcastle: up to 6,000 words “looking for fantasy stories. We’re open to all the sub-genres of fantasy, from magical realism to urban fantasy to slipstream to high fantasy, and everything in between. Fantastical or non-real content should be meaningful to the story.” pay is $.06 a word

Nov 31st

Martian Migraine Press Monstrous Outlines: 1,500-7,000 words “an anthology of horror and weird fiction with a focus on the theme of camouflage: people, entities, monsters, gods, even concepts, that masquerade as things other than themselves. Predators in plain sight, deities on their down time, sublime extra-dimensional terrors slumming in 4D. We want to see stories of exceptionally well done camouflage, all the more baffling and frightening for its seamless nature. We want to see stories of seeming where the hidden thing is poorly hidden for a number of reasons: perhaps there are layers to its camouflage, or perhaps it doesn’t care how well it hides. Imagine the moment when the perfectly hidden thing reveals itself. When the poorly hidden thing reveals itself. We’re also interested in duplicates, doppelgangers, and shapeshifters.” pay is $.03 a word

Dec 1st

Remnants: word count varies a post apocalypse shared world story/series go to the site for details.  Pay: royalties

2100 A Health Odyssey: “give us your best 3,000-word short story that challenges today’s assumptions about the future of health care in the U.S. We’re offering a first prize of $10,000, second prize of $5,000 and other prizes for runners up and current employees, students and alumni of Jefferson.

Compelling Science Fiction: 1,000-10,000 words science fiction genre pay is $.06 a word

Deadman’s Tome: 4,000-7,000 word short story OR flash “Horror and dark fiction about demented psychopathic killers with a winter holiday setting” pay $10 plus royalties

 

 

Behind the Scenes: Writing “Halloween Spirit”

image from openclipart.org by bf5man

This post speaks to my personal writing process for “Halloween Spirit” and as such is contains spoilers for that work.  For a deeper understanding of the elements included or explained in this post please read my flash fiction (it’s short and free ^_^).

Zach Standfield challenged me to write a piece of flash fiction in August. One of the ideas I had was to create an elaborate detailed summoning rite that brought about the end of the world. The short work would focus on my strengths: lyric description and magic set in a modern world. It would avoid my weakness for action scenes and it side steps issues I have about over explaining or creating a finite conclusion.

I wrote two flash works for Zach (neither of which he’s seen) and they both took a grim turn resulting in the brutal murder of the female main character from outside forces she surrenders to. Waaaaay too close a metaphor for the suicidal tendencies slipping into my own head because I’m not handling stress well at work. For the record, I’m not contemplating a plan to end my life, it would be stupid to take a permanent solution for a fleeting problem. But the stress from ongoing conflicts at work is leading me to think “it would be much easier if I wasn’t around” and that was coming through too literally in my writing.

I shelved the third flash idea since I didn’t want it to morph into a 30 something female woman sacrificing herself on the boardroom floor, using the energy of her death to open a hell dimension that forces the people who mistreated her their to suffer for eternity.

Then, I had an idea for our blog. Each of us should write a Halloween themed flash for our blog. Awesome idea, except I suck at short stories and had no idea what I would write.

I thought maybe I’d lean into my fae angle and do a “Wild Hunt” style thing, but “The Most Dangerous Game” already exists. Plus, the idea took over 1,000 words to explore. If I wanted to do something new/interesting, it would take more than 1,000 words.

Next I thought “what’s my thing in the writers’ group?” My literary device is some kind of magic. This reminded me of the summoning story I‘d planned for Zach’s challenge. The problem: no Halloween tie in. So I changed the summons and instead of focusing on a cinematic summoning ritual, I focused on the holiday and hidden darkness that lingers in the fall. I played on the “Wicca” God and Goddess creation myth where the Goddess Births the God, they become lovers, and he dies on Samhain, to be birthed out again in the following Yule. I tossed in two cult classic “Wicker Man” (1973) references to hearken the reader back to a certain time and tone.

For birds gathering, I chose crows over ravens primarily to reference the figure “The Crow” (1994) and foreshadow the death elements. Also, crow mythology pegs the creatures as watchful, resourceful and often tricksters… all elements I wanted to elicit in my story. I thought about using Ravens in honor of Edgar Allan Poe, but those birds are larger, live in only specific regions, and mythologically relate back to winter.

I wrote the first 600 words in one afternoon and would have finished, but I had to stop and go to work. I reread/edited what I had so far and finished the first draft four days later. Ran everything through ProWritingAid and posted to Google Docs for the Writers’ Group to Critique. I read it out loud one last time and added it to our queue for publication.

While the creation process was painless, I’m torn on whether I like the final product. There are great single lines and ideas, but the word limit combined with the time constraint kept me from digging in to find a perfect moment. I usually only consider works done after months of review and reflection, so I figure in six months time, I’ll know what would make this story engaging.

 

Interested in reading more from Jessica Donegan?  Check out the NEWG bliz round robin exercise here with Jessica’s ending available here

Looking for more spooky stories, please consider Christopher M. Palmer’s work “The Ghost Strikes at Midnight

October Call for Submission Round Up

It’s that time of the month again!  The time I round up all the open calls for submission I can find.  This time around I took a queue from Chris’ post on Dragon Con and only added calls where the writer is paid at least $.01 a word.  Until I looked for it, I didn’t realize how little some of these venues pay.

Oct 15th

Shifters United: 20,000-35,000 words on urban fantasy involving shape shifters ideally non-traditional variety pay is a royalty structure

Oct 24th

NonBinary Review: up to 5,000 words that have a clear connection to Dante’s Inferno could be the themes or the characters or setting.  pays $.01/word

Oct 31st

Heroes of the Apocalypse: 5,000-15,000 words with stories of “end of the world” author’s choice of how the end happens but the heroes must fight against the end of the world.  pay is royalty based.

Our Loss Anthology: up to 8,000 words on loss/pain looking for a creative way to incorporate the theme pay is a profit sharing thingy

The Realm of British Folklore: There doesn’t appear to be any word count but he is looking for British Folklore theme.  No specification on traditional vs more modern settings.  Pays $.01/word

Barking Sycamore: up to 1,000 words creative unthemed issue that appreciates neuroscience diversity, queer, or poc characters. pays $.01 word

PseudoPod: 1,500-6,000 words looking for horror, dark, or weird fiction pays $.06/word 

Nov 1st

Spring Song Press: 1,000-10,000 words “Steam and Laces Steampunk anthology” fantasy speculative fiction.  Pays $.01/word

Millhaven Tales: 2,000-8,000 words winter guidelines are action/adventure/western payment is a royalty based scenario 

The First Line: 300-5,00 words “As we trudged down the alley, Cenessa saw a small ___________” pays $25-$50

Concrete Dreams: 5,000-10,000 words on urban/modern fantasy is a kickstart campaign with a poorly laid out website (which is why I linked to HorrorTree instead of their junk site) but they plan to pay $.04/word

Unlocking the Magic: 3,000-6,000 words in the fantasy genre (no scifi) Looking for the common stereo type of the mentally ill person being susceptible to magic, but using self care to enhance instead of threaten their abilities. A healthy look at how magic/religion/ceremony can play with mentally ill pay is $300/story

Best of Kindle Unlimited: Amy A. Bartol “Secondborn Series”

    

Cover Art from Goodreads

Along my reading, I picked up Amy A. Bartol’s Secondborn.  Even as someone who thrives on the drama of a YA post apocalypse world, I didn’t expect to like this book.  I’d just been burned by the likes of Death Thieves and The Hundredth Queen.  All three YA books trying to take advantage of my love of The Hunger Games and all three of books have 4 star reviews in Amazon and Goodreads.  When will these writers get that what made Hunger Games amazing wasn’t just the kids fighting in the arena?  So, curious despite myself, I picked up Secondborn expecting it to either disappoint or be a guilty pleasure.

Instead  Secondborn and it’s sequel Traitor Born were a joy read and touch on larger conversations we need to have in today’s world. Bartol focuses on the heart of what’s great in post apocalypse YA: the transformation of the main character and their perception of the world around them.  First, I appreciated Roselle as a savvy character who avoids the “ignorant for the sake of exposition” trope.  From the beginning, Roselle shows she is a smart character aware of differing undercurrents even if she’s not sure of how deep those waters flow.  Her thoughts and feelings change as she has new experiences and uncovers more schemes in the world around her.

Through Roselle the reader learns to empathize with many perspectives.  By the time I finished the second book, Traitor Born, I was no longer sure there was a “good side” or “bad side”.  It’s a rare risk for a writer to twist the bad characters into ones we might understand and to muddy the water so we despite the good characters.  I read plenty ambiguous characters or where one “side” transforms into not the villain/not the hero, but leaving a reader with no character to trust or side with is bold and exciting.  Even as I can’t “support” or “root” for any one outcome, I empathize with them.  I want relief for these characters, but it’s not to accomplish their goals.

Amid this shifting terrain, Roselle sinks, struggling with PTSD, and a series of complicated interpersonal relationships.  Her flashbacks, the way she falls to pieces in key moments and rises in others, and how she struggles with drugs feels authentic and relevant.  I thought I’d decided about who I wanted with Roselle as allies or friends, who Roselle should work with and who she should keep at arm’s length, but Traitorborn makes me question the decisions I made.  There’re dangerous edges on everyone and redeeming qualities.  I resented my favorite ally from the last book, forgot how evil/distasteful another character was because he has these moments of genuine connection, and I thought someone who was once a snake in the grass might become a true ally.

And I haven’t even gotten to the science fiction.  Unlike The Giver or The Hunger Games, that keep technology vague and only available to isolated pockets of society, Secondborn distributes the technology to everyone.  The gadgets themselves aren’t innovative, chips in webbing or right hands to track and grant access, hover vehicles and airships, robots who are servants/guards/trackers/medics, and a weapon that seems a cross between a light sabre and a plasma gun.  All ideas I’ve seen before right?  Bartol re-images these ideas to give a fresh unique society.  The world and the devices of it feel lived in and true.  Beyond the existing tech, Bartol continues to introduce upgrades and improvements to her tech.  It starts in one spot with these flaws and then a patch comes out.  The upgrades make her world feel more real and provide new challenges for her characters to overcome.

I’m glad I read the first two books (even if both endings are cliffhangers) and am looking forward to the third installment.  If you like a future society where teens and young adults have to fight for their lives, you will enjoy this series.  While a simple premise, the layers of nuance make it enjoyable and thought provoking to many age groups.

Take Aways From Bartol’s Success:

1. Don’t be afraid to market an idea another book/work made famous just BRING VALUE, don’t expect other’s success to sell a sub par work

2. Have complicated dynamic characters and don’t limit quantity.  Readers can keep up with you as long at each character has a personality-and embrace the baggage being in traumatic situations leaves these characters.  Let them have flashbacks, PTSD, aggressive or tearful reactions to simple daily events.

3. Don’t shy away from near future tech in your science fiction.  Embrace the evolution of these systems to make them feel real and dynamic within your world.

4. Female leads can be emotional and strong/combat oriented.  Roselle is a great balance of action/battle training and intelligent emotional thinking.

5. Have a kick-ass looking personal website.  Just look at Bartol’s website, the graphics and layout make me want to read her work more than her covers!  She’s inviting her readers’ imagination to tackle fan fiction for her characters, and through their fannish excitement, spread her work to new audiences.

Looking for more to read? Check out the next in this series: T. A. White’s “Dragon Ridden Series” 

Wondering why Kindle Unlimited? Here’s 7 reasons I read this way.

Looking for more conversation on reviews? Try “Would you Rather…” or “Does Being Critical in Reviews Hurt me as a Writer?

August Submissions Roundup

We have an ongoing submissions page here.  Back because it seems like our round ups get the most comments.

 

Aug 15th 

 

Strange Constellations– Short speculative stories 3,000-7,000 words scifi-fantasy preference but will take anything that compels pays $30

 

Psycho Pomp Magazine– up to 5,000 words”The Psychopomp Magazine staff is committed to publishing original fiction that dares to redefine traditional storytelling and genre borders. While we like stories that treat the concepts of passages, transitions, and the state of being betwixt and between, we are open to all work regardless of theme. We are generally not looking for traditional realist fiction or pure hard genre.” pays $.02/a word

 

A Punk Rock Future– 350-6,000 words “We’d like to see dystopias, utopias, or something in-between; anything with a punk rock sensibility/ethos; alternative history; the promise of punk; the failure of punk; music-inspired stories; science fiction; fantasy; or horror. No matter the genre label, stories must have a speculative element.” pays $.06/ word

 

Luna Station Quarterly– 500-7,000 words scifi/fantasy with Crones as the main proganist looking for female identified authors pays $5

 

Aug 21st

 

Colp– 1,000-5,000 words anything goes with the theme “Sky is the limit” pay $5 for 2,000 words and $10 for above 2,ooo words

 

Aug 22nd

 

Three Crows Magazine– up to 4,000 words looking for weird dark fiction or gritty fantasy/scifi/horror looking for morally ambiguous decisions pays $25

 

Aug 30th

 

Qulit Magazine– prose up to 8,000 words no genre suggestions pays $100

 

 

Oklahoma Pagan Quarterly– a scary story contest with prize money for Samhain aka Halloween themed stories.  They have more details at their side

 

Apparation Lit– 1,000-5,000 words on the them of the theme of diversion speculative in nature= scifi, fantasy, horror, weird fiction, genderless fiction pays $.01 a word

 

There are a lot more submissions out there, but I cut the list down to what interested me.  Others either didn’t click with my creative muse or insulted my inherent sense of value (I’d do that, but not for the money they’re offering).  Very subjective collection, but I hope it gives others a place to start this month.  Happy writing!

April Submission Roundup

April 15th 

 

The Finger– Either 2 flash at 5oo or 2 flash at 2,500 or 1 flash at 5,000 “take us someplace we haven’t been before”

 

Third Flatiron-Up to 3,000 words Galileo’s Theme Park–   Space opera, SF, physics. The great Italian scientist is famous for standing up for science in the face of the Inquisition, doing his best work while under house arrest. He also brought us our first views of Jupiter’s moons by combining a convex lens with a concave one to invent a high quality telescope. We invite you to take us on a journey to the lands beyond Earth revealed to us by Galileo and other space scientists. Suggested reading: “The Old Astronomer” by Sarah Williams”  pays $.06 word

 

Visions– Up to 5,000 words “The first issue will centre on the concept of home in the broadest sense, from the physical structure to the social construct. For instance, we hope the stories will revisit what the notion of home is – a house, a planet, a device? – and what it means to feel at home or homesick. What do we mean by home? How does the concept of home adapts as the world around us changes at a radical pace?” $.06 a word

 

Future Visions-2,000-7,000 words “The Future Visions Anthologies is a science fiction anthology series, aiming to deliver excellent and diverse short story collections on a quarterly basis. In the tradition of great television anthology series such as The Twilight Zone, and Black Mirror, the Future Visions Anthologies will broadly explore all genres and traditions of science fiction and speculative fiction, seeking in each story to explore deeply themes that are relevant to a modern audience

 

Circlet-2,500-8,500 words “Here’s your chance to talk about romance for the characters uninterested in sex. Give me your space pilots in serious relationships with their sentient ships. Think about how an incubus would patiently court a demi-sexual. Maybe you have a regency fantasy where only a virgin can wield the talisman, and thank goodness we’ve got an adult countess who can step up.” $25 for eprint and another $25 if print published

 

Iridium Magazine– ANYTHING with queer non conforming characters up to 5,000 words

 

Electric Spec– “We consider any story between 250 and 7000 words with speculative fiction elements. We prefer science fiction, fantasy, and the macabre, but we’re willing to push the limits of traditional forms of these genres.” $20 flat rate

 

April 16th 

 

Fantasia Divinity- 500-10,500 words. “Spring is a time for growth and rebirth. Beauty is everywhere as the world awakens and comes back to life. We are looking for stories that capture the essence of this beautiful time. What makes the flowers bloom? Why does love permeate the air? Be it nymphs, fairies, gods or goddesses, or even something far more sinister, we want to know. “

 

April 20th 

 

Dead Man Tome– “Genre and theme: Horror, Dark fiction, bizarro framed around conspiracies whether it be UFOs, JFK, 9/11, or Las Vegas. All conspiracies are fair game. Have fun.”

 

April 28th 

 

Unverving– “Haunted are These Houses is an anthology of Gothic fiction and poetry due out in September 2018, edited by Erin Sweet Al-Mehairi and Eddie Generous.” 400-6,000 words firm pays $.01 a word

 

April 30th 

 

Hellbound Book Publishing-5K-15K words “Shlock Horror An anthology of short stories based upon/inspired by and in loving homage to all of those great gorefest movies and books of the 1980’s (doesn’t need to be set in that era!), the golden age when horror well and truly came kicking, screaming and spraying blood, gore & body parts out from the shadows...”

 

Cohesion Press– 2,000-10,000 words military scifi horror

 

The Horror Zine– “GUIDELINES: Ghosts / haunted houses / haunted graveyards / general hauntings / spirits. Must be really scary. Must be original (not a reprint) between 2K and 4K words.”

 

COLP– 1000-5000 words adresses “passage of time”

 

The Geeky Press– “This collection isn’t meant to advocate a position. We aren’t looking for manifestos. We aren’t looking for academic papers. Instead, we want well-told stories, personal narratives, essays, and reflections in fiction, scriptwriting, and poetry from people who come from diverse backgrounds and want to share their American story

 

May 1st

 

Fiends in the Furrows–  5,000-10,000 words “Folk Horror has emerged from the shadows of the late 1960s and early 1970s into a haunting subgenre of horror, fusing atmospheric and horrifying elements of cults, pagan sex, and human sacrifice. In the world of Folk Horror, the laws of God and Man are stripped away by secretive, provincial, surreal, and occult ritualism that subverts the established order in favor of a monstrous, all-consuming, elemental force of ancient evil.

 

Apex Magazine– 1,500-5,000 words pays $.06 a word “This summer, award-winning author and editor Sheree Renée Thomas (“Aunt Dissy’s Policy Dream Book,” Apex Magazine, Volume 95 April 2017 and Volume 101 October 2017, Sleeping Under the Tree of Life, Shotgun Lullabies, and the Dark Matter anthologies) will guest edit a special Zodiac-themed issue. Sheree seeks short stories that explore the heavenly cosmos and unveil mysteries, tales that reimagine Zodiacal archetypes and/or throw them on their heads.”

 

Midnight Hour Media– 1,500-8,000 words “We are looking for horror, dark sci-fi, dark speculative fiction, neo-noire, and cyberpunk themes.  Please read the general submissions for more details.

 

Midnight Hour Media– 1,000-10,000 words “We are looking for holiday related horror, dark sci-fi, dark speculative fiction, neo-noire, and cyberpunk stories.  We like stories with Christmas, Hanukkah and Kwanza themes.   Alternatively, they can simply take place during the holidays (like how Die Hard isn’t really about Christmas) or even just involve wintery or snowy settings.  Please read the general submissions for more details.”

 

 

March Calls for Submission

A little last minute, especially for the mid March deadlines, but I figured I’d offer them anyway.

 

March 15th 

 

Cenorot 2,500-6,000 words pays $.06 a word the prompt: “The year is 2025. The planet has been riddled with radiation and in an effort to sustain life the world’s leading scientists have come up with a new procedure to keep humans and animals alive. The success rate was high … until the new creatures began to show signs of rot. Genetically and physically enhanced, these monsters begin to turn on each other and their makers.”  On a personal note I really wanted to write something for this and found myself bogged down in the “how” and “why” but I’d LOVE to read this anthology.  Hoping to see good things here

 

Transmundane Press up to 6,000 words story themed with dreams, hallucinations, nightmares, and/or visions pays $5-$20 depending on length

 

Gehenna & Hinnom Books  Their magazine does rolling submissions with one window closing March 15th.  Looking for weird and cosmic fiction $30 for flash and $55 for short stories they respond in 30 business days to a query.

 

March 30th 

 

The New Mexico Review 500- 1,500 words new and emerging fiction with south western flare

 

Corpus Press Halloween stories 4,000-8,000 words scary, atmospheric, thought provoking, humorous or satirical pays $.03 a word

 

March 31st

 

Pantheon Magazine “What we want: Weird, dark fiction; slipstream; magical realism; horror. Fiction with a touch of mythic quality. We want themes based around transformations—things that are shapeshifting, things that are emerging. Make Ovid’s Metamorphoses contemporary and weird and scary. We want a wide scope of voices, cultures, and perspectives.”  1,000-2,000 words flash pays $.06 a word

 

Arachane Press no more than 2000 words to celebrate the end of WW2

 

Weird Nature Anthology 2,500-10,000 words. The title intrigued me but I couldn’t make heads or tales or what the publisher wanted.  Couldn’t even figure out an excerpt to offer.

 

April 1st

 

Paper Dog Books 1,000-5,000 words “We’re looking for works of short speculative fiction that consider the future of the internet, artificial intelligence, the mind, and robots. Give us your optimistic, fantastic, bittersweet stories of fantasy and science fiction” pays $.06 a word and attempts to respond within 60 days

 

 

 

The 10 Best of Dailyscienefiction.com’s February Stories

1. “Motherland” by Jasmine Ang started Feb strong.  Emotionally charged, the work explores the theme of separation.  The “science fiction” angle comes in, I believe, by providing an example of how technology both lessens the sense of separation and intensifies it.  Feb is the coldest month of the year here in Alabama so feelings of isolation and sorrow seem to dovetail my weather perfectly.

 

2. “Lingua Flanka”  by David M. Armstrong was heavy handed.  The opening and the middle felt intellectually insulting.  I’m including it because it covers themes that I think are important to discuss but even then, the work feels muddied.  Like Armstrong wanted to be controversial but didn’t understand how to do even that basic part well.  I appreciate the attempt for artists by interspersing different narrative elements, but the execution left a lot to be desired.  Great theming and ambition.

 

3. “Dispell” by Preston E Dennett was cute.  The fantasy theme was notable, and given my preferences, made me more likely to enjoy it.   There were elements that I found distasteful.  The female voice, in particular, felt stilted, as if the author had never spoken for very long with a woman or as if the author has only known and women in very shallow ways.  But I thought the punch line at the end was worth the read.  And I want to give the author some props for trying to explore an element of society it seems clear he doesn’t get.  There’s both a thoughtful and boorish execution to it.

 

4. I really love Mary E. Lowd’s work.    “Heart of the Gas Giant”  is a continuations of her other stories.  I’m beginning to see a larger picture where her characters go to the same places in space to achieve different goals, or where we will focus on a different main character but still get an update on the last main character.  Her ability to summarize the last stories in a line or two, are pretty inspiring.  I’d like a  collection of all her little works in a larger work.  She brings a childlike joy and wonder to the vast array and variation of space.  But her stories are written in a way I think all ages could appreciate them.

 

5. “Resolve, in Four Heartbeats”  by Kell Rajasalu is great.  The work is confusing in several angles, but by the end, I understood the basics of what had happened and felt like I’d read a longer arch than she’d offered.  She had deeper characters in her short than make authors achieve in novel length works.

 

6. I really enjoyed “Kicking the Football” by Margaret Sessa-Hawkins.  It’s sweet and very tightly written.  While it has a huge advantage because it’s about characters we are all largely familiar with, it still successfully captivates it’s own unique concept.  This to me, is the spirit of excellent fan fiction and what elevates something from copyright infringement to it’s own concept.

 

7. “The Ones Who Chose the Rain” by George Edwards Murray  was a sad story.  I don’t know exactly what I liked, possibly the genre, but the work struck me.  It’s filled with ennui and pain.  Don’t read if you’re depressed.

 

8. “Introducing Your Parents to the Spoils of Adventure” by Bryan McNab was funny, told in second person, and fantasy genre.  What more do you need?

 

9. “The Sword” by Mari Ness  was a fun update on a “classic” medieval scenario.  I didn’t love it, but it was a cute short story with a reasonable close.  There was a story earlier this month that I waffled on whether in include and ultimately dismissed it because there wasn’t enough going on and this one made it in because there was a “diverse voice” and I am swayed by scenes I see less if even when I think they lacked some indefinable element.

 

10. “Fight for the Stars” by Shannon Fay was a well constructed complete world.  She took a story that I’d have hated to see play out in the three hour movie and boiled it down to an enjoyable 1000 words.  The story kept me engaged in each word.  Instead of liking it “in spite of it’s length” as I do many short stories, I actually think the format os part of what allowed me to be taken in and really become enchanted by it.

 

Overall, February was an interesting month for Daily Science Fiction.  The works I chose were by authors who had a lot less on their resumes than last month’s authors.  I wonder if there is a trend to how Daily Science Fiction groups it’s works.  It has felt random as a reader, but collecting through collecting all the works I found value in, I hope to find patterns.  Impatience is a major fault of mine though, so I’ll have to see what next month brings!

 

Want to check out January’s Science Fiction picks?  Check it out here

February Roundup: Calls for Submissions

First, few caveats.  I did not include any publisher who asked for a reading fee.  I also didn’t include grants, contests, or publishing offers that were region locked to an area outside of Northern Alabama.

 

What I did include were all publishing offers I could find that I thought may have appeal to any current members of our writing group.  That said, some of the calls for submissions seems like they may be less stable or professional than other markets.  I did try to exclude anything that appeared like an obvious vanity press, but there are some calls here I wouldn’t submit to.  Use your own discretion.

 

Due Feb 15th 

 

Deciduous Tales– “We are looking for horror and dark fiction with well realized characters, a strong voice and literary merit between 1000 and 5000 words. Query first for any story longer than 5000 words.”

 

Due Feb 16th

 

Black Button– 2000-6000 words midwestern themed horror and dark fiction.  Integrate family dynamics.

 

Due Feb 28th 

 

Dark House Books– Has 2 calls!  one is a 2500-5000 words cozy to cozy-noir stories featuring libraries and librarians the OTHER poetry, flash, short fiction, and creative nonfiction reflecting the theme of sanctuary, refuge, shelter, or asylum, from the perspective of those offering, seeking, denying, or destroying it. From Bangladesh to the city animal shelter, all are welcome, as are all genres.

 

Red Rabbit Press– 3000-6000 words military scifi

 

Parsec Ink– 5000 words on music in fantasy, horror or scifi

 

Beneath the Waves– 5000-8000 words on water/ transformation/ sea monsters

 

Nafarian– 2500-5000 crimes with a twist

 

Due March 1st 

 

If This Goes On– up to 5000 words at least 1 generation in the future but further out is preferred and it needs to relate to current political issues $.08/word

 

Body Parts Magazine– Flash up to 1000 AND short stories up to 8000 words theme is “primal fears” looking for horror, dark fairy tales

 

“This Book Is Cursed“- Up to 7,500 words the theme is “this book is cursed” includes tombs, theater curses, sports curses random vengeance curses

 

Hex Gunslinger–  1000-1500 flash, 1001-7499 short story, 7,500-17,499 novellette and 17,500- 40,000 novella speculative, mysterious, and romantic weird western tall tales! Framed as an unearthed secret library years after the civil war, each story should hold the ethos of western expansion beginning in 1803 with the Louisiana Purchase, and ending around the 1850s not necessarily restricted to a North American audience. Do not take manifest destiny as a mantra to live by. Shape a world with all the magic and mystery of the frontier without letting the ugliness of conquest be consumed with fantastic whimsy. We want wide open plains where violence ruled, underground movements brewing with tension, and the Wild Wild West in all it’s beauty and madness. Bring us your stories marking the age of the gold rush, injustice, genocide, mass immigration, transcontinental railroads, vigilante justice, telegraphs, outlaws, gunslingers, slick talkers, setting suns, and the impending civil war that would rip a nation apart.  They want Pulp fiction, Weird Western, Cattlepunk, Southern Gothic, Folkloric Monsters, Occult Magick, Slipstream, Cowboys & Aliens, and so on

 

Baba Yaga Anthology– 7,500-20,000 words. Kate is looking for stories from Baba Yaga’s point of view, or the point of view from those she helps or hurts, or from anyone who might be a protagonist worthy of the Baba Yaga story. You can set the story in the past or present. The story can take place anywhere in the world. It can include romance or action or tragedy or comedy.

 

Dark Water Syndicate– 5000-8000 words “We are interested in short horror fiction about people who sneak into abandoned, forgotten, shunned, or cursed communities and survive to tell the tale. For example: Centralia, Pennsylvania—the mining town abandoned because of an uncontrollable underground coal fire; Love Canal—the New York neighborhood declared off-limits due to extreme environmental pollution; and Pripyat—the Ukrainian city evacuated after the Chernobyl disaster. The emphasis is on communities—a haunted house or other such localized place is not large enough to qualify. The place or people in your story must be fiction, must be told in 1st person and must be a present day adventure

 

Horror Short Story Contest– “Entries must be 2000 words or less, typed in 12 point Times New Roman and include your name, age, and contact information.”

Best of DailyScienceFiction.com’s January Stories

Daily Science Fiction’s   name is deceiving.  They are an online site that send subscribers a daily short in all varieties of science fiction and fantasy.  The short stories are held online in an archive and some are also published in their anthologies.  When I first came to the North Alabama Writers’ Group, it was one of the first resources suggested to me.  As writers we are encouraged to read others in the genre, stay current, but we are also encouraged to submit, submit, submit!  Daily Science Fiction can help an ambitious writer with both those goals.

 

In my year long relationship with Daily Science Fiction, it has turned into one of the white whales of the North Alabama Writers’ Group.  In a state of constant call for submission, but no matter how many of us offer dribbles, quite a few hand crafted for the medium, none of us have been accepted.  At the same time, we’re reading what feels like a bunch of garbage.  We find ourselves saying “I could do better” or “I have written better”, but we must be missing some quality or reoccurring theme.

 

In an effort to crack the Drabble code, I’m reading all the stories they send me.  Instead of bemoaning the terrible, I thought I’d just offer a monthly round up of what was good and why it worked for me.  These are ordered how I received them (excluding one I’ll get to).

 

“A Villian Considers His Options” by James Beamon—It’s funny and it has an almost meta quality.  Love his use of an acronym to name his A.I.  This is Beamon’s fifth publication to Daily Science Fiction.  I was able to find two previous submissions. One, “17 Amazing Plot Elements… When You See #11, You’ll Be Astounded” was terrible.  I’ve yet to read a list from Daily Science Fiction I like, so I’m thinking that even though there’s an obvious market for this type of writing, it’s just never going to be to my tastes.    The other “Settling Beef” was excellent.  Still sharp and funny like “A Villian Consider’s His Options” but also heavy with a relevant message in today’s world.  Of the three, it was the most successful store, though I still prefer “A Villian Considers His Options” best because is was the most amusing.  All three show a signature humorous voice and style.  Two do so in a way I found successful.  Beamon has a Goodreads page that shows he contributes to themed story collections and has one stand alone short story published, all showing high Goodreads ratings.

 

Emily Post’s Guide to Alien Encounters” by Audrey A. Hollis — excellent story telling.  It gave me a complete and deep arc in very few words.  I’m delighted one of the authors I like is female and I’m following her on twitter https://twitter.com/audreyrhollis.

 

Winged Fold Only” by Mary E. Load—a fun feel good story with a simple moral.  Her bio is just as entertaining as her story, and it gives me a new goal of what I want to aspire to in my own bio.

 

The BEST part about Mary E. Lowd’s work is that she wrote a sequel to “Winged Folk Only” also published this month in Daily Science Fiction called “Go High” —It was also on my list of good reads.  I really like Evben and hope to get more 1000 words on her.  This sequel was probably middle of the road for me.  Still cute and descriptive but with less of an emotional appeal.  What I loved what it’s connection to her earlier story.

 

Mary. E Lowd was published by Daily Science Fiction a total of 4 times this month, and I enjoyed three of her stories and was on the fence about one of them.  In the case of her other two, also connected, stories I wasn’t fond of the first “Queen Doripauli and the Sproutlings”. To me it lacked emotional depth and the action seemed to bland.  However, I loved the follow up “Waking up in the Genie Shop”.  What can I say, I’m a sucker for those sweet little moments in a story, and “Waking up in the Genie Shop” delivers.

 

Mary Lowd finished my January Daily Science Fiction experiment strong, but delivering one more wonderful story.  “Of Starwhals and Spaceships” is a fun short.  It has a childlike innocence and a general wonder for the universe.  It delivers on at least four complex thoughts, ones that would take me more than 1000 words to explain, which gives the work depth and almost mystic quality.

 

I found another 6 stories by Mary E Lowd on Daily Science Fiction, and I intend to read all of them.  For those curious they are “The Empty Empire,” “One Alien’s Wreckage,”  “Crowds on the Crossroad Station,” “Principles Over Profit,” “Inalienable Rights,” and “Cresent Horns and Tall Ears.”  I hope to find Evben in one of them and maybe a better backstory for Sloane and the sproutlings that makes me appreciate Queen Doripauli more.   Lowd is also a novelist, her books appear quirky, for a younger audience, and animal centric with a scifi twist.  Her books don’t seem quite right for me, but they were still neat to look at. Check her page out at Goodreads .

 

I’ve just finished reading “The book of the Unnamed Midwife” by Meg Elison, so when Daily Science Fiction brought me “The Library is Open” by Beth Cato, I had the opening scenes ready to go.  A peaceful bubble in the apocalypse where the normal becomes abnormal.  I liked how Cato played with tension.  Even in humanity’s darkest hour, her short left the reader feeling hopeful.

 

I found 6 other works on Daily Science Fiction for Cato.  They include: “Bear-Bear Speaks,”  “The Quest You Have Chosen Defies Your Fate,” “From the Ashes,” “Hatchlings,”  “10 Things Newly Manifested Wizards Should never do” (because everyone needs a list apparently), and “Measures and Counter Measures”.  She’s got a way with the titles, that make me very excited to find time to read these. Cato is also a prolific writer with a complete novel series and a new one started.  She’s also contributed to many Chicken Soup for the Soul editions.  Goodreads shows middle of the road reviews, but based off of her Daily Science Fiction contribution, I’m intrigued to read more.  I wish she were on kindle unlimited, but since I’d have to pay extra outside of my current book budget, I’ll just have to wait till I see a sale.

 

Maestro” by Neal A. Cline—is an example of a story that just barely makes my list and it’s for purely personal reasons.  First, I love tigers, so much that it caused me to do a lot of research on humanity’s relationship with wild animals and the process of domestication.  All of which lead me to believe that owning any wild animal in a pet like capacity will lead to tragedy 98% of the time.  Second, this story is about a mind link between human and animal, which I’m fascinated by.  Third, Cline brings up modern concerns over conservation of species and whether we can think it’s a success if we can only find some species of animal in a zoo (or in this case genetically modified to provide service for people).  Since I wanted to write a long opinion piece regarding what true conservation is and the value of a being outside of human use was, I decided to include this story.  “Like” is too strong an word for my feelings, but it did make me react, and that’s valuable.

 

Bone White” by Patrick Sullivan is an example of a work trying to blend a lot of working pieces and doing it with partial success.  I like the half of the story told in the past, it has a very “Emperor’s new Clothes” feel if the fairy tale included murder and depravity.  I love dark fairy tales.  The modern part, while possessing a chilling close, generally doesn’t work for me.  How come this cloak still exists?  Why wasn’t it destroyed or kept closely guarded?  It’s too much of a jump for me.   Still, a quick search shows Sullivan is new to publication and perhaps new to writing stories (publication =/= story experience). It’s a promising start and I’ll keep an eye out for more.

 

The Adjunct Professor’s Alien Girlfriend” by Marge Simon —was borderline for me too.  Description wise, there’s some elements about the male/female relationship I found concerning and annoying.  It’s further compounded in my mind because the woman is an alien and some of the “visa” description harkens back to “mail order brides”.  The sweetness of the ending helped me overlook a host of elements I didn’t appreciate.  Like “Maestro” it’s a great conversation starter, but not my favorite.

 

Simon is an accomplished writer.  Her work includes several award winning poems.  They seem to have an element of fantasy or scifi as well as romance.  Her Goodreads profile.  She also has 6 easily searchable publications in Daily Science Fiction.  They include: “The Sinner,” “Serving the Blind Girl,” “The Shutdown,”  “Found in the Wreckage,” The Human Guest,” and “Susan 3342 A.D.

 

Small Sacks of Children” by Andrew Kozma was a work I immediately disliked.  I almost skipped it only to find myself completely taken by the end.  Have to respect a writer who can instill such immediate emotion and then completely change the feeling in 1000 words.

 

I’m following him on Goodreads , though nothing up right now strikes my interest.  I found another 4 of his works in Daily Science Fiction: “Company Man,”  “When We Last Left,” “The Judges,”  and “The Mountain.”

 

That’s 10 out of 23 stories or a 43% success rate.  Do I think other people should subscribe to Daily Science Fiction and read all the stories—maybe?  What I liked, I really liked and introduced me to new writers I want to follow and keep and eye on.  It also gave me access to another 24 short stories to look at.  Will this help me be more brief in my own writing or open publication paths for me—I don’t know.  What I can say was that the process was fun and didn’t take a lot of time.  If you’re trying to get back into reading and not sure who to follow or what to pick up, Daily Science Fiction might be just the place to give you some leads.