- These manuscripts, it’s most important to speak to the write and see what they are looking for.
- Evaluate each piece of the manuscript based off of where it is in drafting and see the suggestions for it’s draft level.
Provide generic advice without considering the specific manuscript and writer in hand.
- Dig into dialogue, character’s actions and overall consistency of the character.
- Check manuscripts of internal consistency with the established sequence of events
- Audit the overall flow of the manuscript and the small scale flow from scene to scene.
- Dig into the writer’s chosen language, grammar, style, and phrasing.
- Overall impressions. How as a reader one enjoys the manuscript or where as a reader the manuscript drags and needs tightening.
- Tackle anything specific the writer asks for.
Nothing is off the table at this point in time the writer is preparing to move out of critique phase and into a professional editorial, a submission, or a publishing phase. Critique partners should give the writer everything they can (that’s within the bounds of what the writer asks for).
When signing up to be a critique partner, it’s important to consider where in process a writer may be and tailor the advice to where they are and what their goals are. Today we’ll go over 4 kinds of writers I’ve discovered and some characteristics that may help us dig deeper into where they are coming from.
The Share and Share A Like Writer
- In process with a first draft.
- May be excited to share something.
- May be stuck and looking to bounce ideas.
- May still be working out the characters/concept/elements of the manuscript.
- Probably has minimal editing or polish—and is not in a place to receive major refining feedback
The First Draft Sneak Peek
- The manuscript has a beginning, middle, and ending.
- May have a vague sense of short comings in the work and need help pinning them down.
- May have an acute sense of short comings in the work and need brainstorming to correct.
- May be “too close” to the manuscript and seek the distance of fresh eyes.
The Middle Draft In It To Win It
- The 2nd or the 72nd iteration of a work. Writers have completed major story building aspects of a manuscript and are working on polish.
- Major structural edits are complete. The order of the manuscript and all the major scenes are settled.
- Character arcs are set and ready for review.
The Hybrid Writer
- May or may not have a complete manuscript.
- The manuscript has some level of polish and revision, but the writer is not able to move on yet, they are in a seeking or consideration process.
- Most easy to identify this manuscript because of it’s inconsistently applied polished some section will be in progress, others will be a first draft stage, while other sections may appear as a finalized manuscript.
What do you think? Do these groups cover all the different kinds of writers you know? Are there other traits your recognize or other details you think critique partners should look for?
Stay tuned and next week we’ll go further in depth with suggestions for what to critique or not for each of these stages of writing!
Brewtality: Alcohol Infused Extreme Horror: 3,000 word max “Some call it courage in a bottle while others perceive it as the devil’s cocktail. Alcohol comes in all shapes and sizes, bringing along with it the temptation of sin, the eagerness of confusion and the psychological bombardment on the mind and senses forcing us to play a game between life and death.” pays $.03/word
Impulsive Walrus Press, “Going Viral”: 2,000-8,000 words theme is black market business during Covid-19 pandemic “The COVID-19 quarantine has us all shut up in our homes. Businesses have ground to a halt, the economy is slowed to a snail’s pace, and nobody is entirely certain how long it is going to last./ In the middle of all of this, black market businesses have begun to operate: underground hair salons, photography studios, businesses once completely legitimate and now illegal simply for operating.” pays $.02/word
One Story: 3,000-8,000 words literary fiction pay is $500
Dark Moon Digest, “Fright Nights”: 3,500 words max “We want stories with complex characters and new ideas. Scare us. But also, inspire young readers into a lifelong obsession with the genre .” $.03/ word
A critique partner is a writer with whom one shares and critiques work on a regular basis. This process isn’t the same as co-write stories, because the manuscript isn’t written by both writers, but they should have overlapping ideas and motifs. A critique partner often influences one’s writing in ways beyond the feedback shared because they can be a person one springboards ideas or troubled areas off of. They have an inherent understanding of the writing process, which makes them able to offer specialized insights others may lack.
It’s common for writers to become each other’s critique partners, where the two writers exchange manuscripts for feedback. Because the writer is often both the person receiving feedback as well as providing it, this series attempts to cover both sides of the giving/responding to feedback process.
Transulunar Traveler’s Lounge: 5,000 words “A fun story, at its core, is one that works on the premise that things aren’t all bad; that ultimately, good wins out. ” pays $.03 a word
Kyanite Publishing “Visions and Darkness”: 7,500-20,000 words dark fantasy pays royalties
Soteira Press “A Monster Told Me Bedtime Stories”: 500-7,500 words “We’re looking for horror stories about bedtime, dreams, sleep, and nighttime in general! ” pays royalties
Pole to Pole Publishing “Twenty Thousand Leagues Remembered“: 3,000-5,000 words pays $.02 a word