2019 Planning and How I Got to 2020

There was a lot I wanted to accomplish in my 2019 writing practice AND there was a lot going on in my job.  To balance work/personal/writing life, I turned to a planner.  Well, I went through several planners to get to my current system.

Why a paper planner when I’ve used Jorte for years?

2018 was very stressful for me and there was a lot I was tracking.  My Jorte calendar was too cluttered.  Looking at it created my anxiety than it alleviated. And nothing is as satisfying as checking, crossing out, or highlighting a task or series of tasks.  Paper and pen is a comfort for me in times of high anxiety.

My Organizational Journey

I started with a huge monthly desk calendar.  BUT in the first week it became clear that there was TOO much for even the largest monthly wall calendar.  I needed a monthly and weekly glance.

Next purchase was a Simplified Planner.  It had a hard cover with gold edges and bright cheery colors within.  The weekly view let me carve out the time I worked vs my “free time” and it gave me a heads up regarding what was pending.  It’s major drawback was combining the Saturday/Sunday in the weekly view.  As a retail person I need the most detail on my Saturday/Sunday either when I work or when I have it off.  Most things in my life happen on these days.

So I moved on to an Inner Guide Planner and a paper journaling system in July.   The Inner Guide gave me more than a full 7 day a week spread, it also helped me make monthly goals in different categories like the professional, creative, family, fun, etc.  This helped me figure out what I was spending time on and if it was what I wanted to spend time on.  This planner helped crystallized the need to change day jobs, and it helped refocus me on my novel publication countless times.  I think most people would find the Inner Guide Planner of immense value, especially for its price point.  It was $32 and even using it only from July-Dec, I got that value back.

A blank journal gave me freedom and space to write whatever whenever.  Lists, complaints/venting, future plans, progress reports, research, etc.  It also gave me unlimited space, and I’m long winded.

However, I wanted more.  I wanted a space to write my plans and goals and another space to record actual progress on those goals.  There wasn’t enough space in a weekly planner for that so I did some research and purchased a She Plans Daily Planner.

I love this planner.  It’s a quarterly softbound sewn book I carry with me and make notes regarding the way I spend my time.  At a glance I can see how much time I spend working, blogging, on social media, or “wasting time” gaming/watching YouTube by color blocking my day off using the half hour 6-8:30 pm marks provided in they system.  There’s an untimed space for “to do” where I make notes on ideas/shopping needs/tasks as they come to me and review them each week to prioritize what I need or should plan out.  There’s a space for inspiration I fill out with a writing quote every day.  Tracking my time helps me clarify what I want and what I’m willing to do to get it done.

And all this lead me to 2020 organizational routine.  For 2020 I have a desk full of plans to keep me on track with my writing, health, and work.  I will share the current 2020 system in my next post and talk about moving forward.  I hope this post helped offer some tools you could use to help you achieve your goals.  Are you a planner or a seat of the pants type writer?  Do you have goals and what do you do if you meet them?  What do you do when you don’t reach your goals?  Do you have a favorite tool: what is it and why?

Bells and Whistles: Habitica for Fantasy Writers

Habitica is a free online site (and phone app because everything is a phone app right now) that allows you to write goals and track your progress.  Like all progress trackers, Habitica gives users satifaction by checking off completed tasks and clearing a dashboard.  More than just checking a box, the site gives the user points that allows them to customize and build a small fantasy character.  Doing dishes or completing a writing goal isn’t just exciting in its own sake, now your little character can level up to achieve better armor or a better attack.  While “gamifying” work can appeal to anyone, I thought the fantasy character nature may appeal to fantasy or scifi writers.

 

There are three styles of habits one can write.

 

“Habits” or goals that a user strives to repeat daily or 2-3 times a week.  They are important but the user doesn’t want to be penalized if they don’t get around to completing these things every day.  Instead the habits will color coat, suggesting how good a person is at completing them but not setting anyone back if they don’t get to an item every day.

 

“Dailies” are mandatory tasks that renew each day.  If you DO NOT complete them, they will negatively impact your little avatar.  This is a more carrot/stick method of goal planning where completing the goals gives your character great bonuses but forgetting to do them too often will lead to your avatar passing out.

 

“To-Dos” are one time, one-day style tasks.  Finishing them is epic, but there’s no set timeline on getting to them and there is no need to repeat the tasks.

 

How I use Habitica as a writer

While I first used Habitica for the “Dailies” section.  Forcing myself to either “put up or shut up,” I find it’s healthier for me to use the “Habits” and “To-Do” sections.  It makes me less likely to micro manage my time or fill up my goal list with things I KNOW I will complete so I can collect the points.  Checking off boxes and making plans makes me feel good and sometimes I’ll make a ton of plans instead of working on anything.  Habitica enables this kind of behavior, so if this is you, beware.

 

I use the “Habits” section to suggest things I like “check social media X for X amount of time,” “respond to 2 people in y forum,”  or “write x amount of words this week.”  Habitica can also be a reminder system.  It helps me remember to focus on general life or well-being items outside of writing specific goals.

Sometimes Habitica is just a tracking system.  If I am trying to decide between projects I wanted to work on, I might create a habit for each book/story and see which one I checked off the most.

 

I planned to use the “To-Dos” to manage all my creative writing ideas, but it’s unnecessary.  I’m excited about all my story ideas and can just keep a running paper list.  I jump into creative projects without problem.  Instead my “To-Dos” fill with ideas for blog posts and suggestions regarding what to edit next.  This way when I schedule time to write up blog posts, I don’t waste time wondering what topics to cover.

 

Overall, Habitica has helped me stay organized and focused as a writer.  While any list could do this.  There is extra incentive to do well when there’s a cute little avatar face staring back at me asking for the next couple points to level up.  I realize this won’t work for everyone, but if you’re in a rut, it might be worth trying.

 

Talk to me!  Do you use any habit trackers in your writing?  Do you use a planner at all or does all structure repel you?  How do you feel about deadlines and goals when it comes to your writing or creative process?

 

Looking for more productivity and planning goodness?  Check out my 2019 Goals Review. I’ve got a post on my 2020 writer’s goals, how I’m tracking those goals, and I have some advise on how to plan a rough draft for aspiring writers.

Goal Planning Advice: Getting Through a Rough Draft

It’s easy to say “I want to write a novel” or “I want to be a blogger” or even “I want to grow my following” and it’s much harder achieve these goals.  Today, I want to talk about how to set and achieve goals. 

  1. Have a clear image of what a successful end would look like.  Today’s end goal will be “I want to complete my first draft.”
  2. Create a deadline.  For example: “I want a rough draft at the end of the year.”  My “big goals” are always end of the year goals.  Thinking ahead more than a year makes me sad and anxious.  It’s too big and there are too many places where the plan could go awry.  You have to find your own large goal sweet spot.  Maybe you’ve got what it takes for the five-year plan or maybe you only want 30-90 days.
  3. Create goals and timelines for each chunk.  You might use your story arc to create these goals.  Like if you have a three act story, you want to spend 3 months writing the intro 4 months writing the middle and 5 months writing the back third.  Or you might break the book by chapters and decide to write 2-3 chapters a month.  Personally, I use straight word counts, but everyone will have their own organization.
  4. Identify any stumbling blocks in achieving your goal.  I can type about 1,000 words an hour once I get into a groove.    What holds me up is research. 
  5. Create a way to move around the “hard parts.” To succeed in my plans, I need to limit my research or mark-up areas where I’ll need to verify or detail out in a second draft (if I even keep whatever scene it is).  Besides that, I need to set a timer when I start researching.  No more than 45 minutes of impromptu studying.  Any more time needs to be scheduled and accounted for.
  6. Schedule time to meet your goals.  I can’t write my rough draft every day.  Instead, I’ve scheduled time each week to write and I stick with a weekly word count goal.  My goal is 3,200 words a week.  To reach my goal I’d only need to write about 2,700 words a week, but I’m setting up a safety net with a larger goal.  This way if my story is longer than I thought or if I fall short some weeks, I could still finish my project.
  7. Actually block out the time you plan to use each day/week/month and keep a reminder near you.  Trying something new? I recommend that at first you give yourself double whatever the amount of time you think you need.  If that’s too much time awesome! 
  8. If double the time doesn’t complete your task, relax.  Your experience is normal, don’t be discouraged.  I recommend backing off your yearly goal and just spending a month recording your process.  How far do you get in each writing session?  How long are the sessions, are shorter or longer spurts better for you?  Are there times of day that make writing easier?  Use this self-knowledge to create a more realistic plan and goal for you.  Remember if at first you don’t succeed; you just need a different plan! 

Can you trust my advise, see for yourself. Here’s my 2019 goals and my 2019 results.

Looking for more content like this? Check out my 2020 writer’s goals, my 2020 planner system and Habitica, a goal system that may help you track your own progress.

7 January Calls for Submission: Jess Edition

January 7th

Fiend and Furrows II: 4,000-8,0000 looking for folk horror words pays $.04 a word

January 15th

Cat Ladies of the Apocalypse: 4,000-8,000 words just a person who identifies as female and her cat(s) at the end of the world pays royalties

AE Micro: 200 words theme “stars” pays $.10 word with minimum $20 for very short stories

Atthis Arts: 3,000 word maximum “magical pen” uplifting not horror or gore. $.08 a word

January 30th

Kyanite Press: 2,500-15,000 words with a dystopian post apocalypse themed “shattered worlds” pays royalties

January 31st

Dragon Soul Press: 5,000-15,000 words “reign of queens” pays royalties

Best of Kindle Unlimited: Susan Ee

While most Kindle Unlimited authors are independent authors, there are a lot of wonderful traditionally published writers too. Susan Ee is another example of an author publishing through one of Amazon’s publishers and working with the Kindle Unlimited system to create a maximum audience.

Susan Ee’s work is marketed to young adults but the horror elements combined with griping story beats entertain all ages.  The story told in the Angelfall series isn’t unique.  I’ve read variations.  The beats didn’t surprise me as they may have surprised the younger audience.  But Ee creates full fledged characters readers can invest in.  Even if we know the story, we don’t know how these characters will handle it, and that’s what will keep adult readers engaged.

Take Aways from Susan Ee’s Success:

1.  Dark horror and the grotesque is for young adults too.  Ee’s books do not hold back in exploring the darkness in humanity.  She pushes body horror and explores all the ways people can be used.  Neither the “good guys” nor the “bad guys” flinch from acting in inhuman ways.  If “Angelfall” was a show or a movie series, I don’t know how it could get around an R rating.

2.  Creating relatable personalities and rounded characters is more than good writing, it will broadens a novel’s appeal.  Don’t shy away from differently abled characters either.  Much of the story’s conflicts come from the characters’ physical and mental disabilities and how that impacts them.  

3.  This a great example of a book series with a strong first book but better follow-ups.  Ee never faltered in her vision for “Angelfall” (or is she did, it doesn’t show in the final products).  Writer’s fatigue or a series decline in quality is not a constant fact of life!  The direction, pacing, and sense of stakes remains strong in each of Ee’s books.  

Looking for other great Kindle Unlimited Series? Check out our earlier write up on Amy A. BartolSara C. Roethle,  T. A. White, Charlie N. Holmberg, and Meg Elison.

Wondering why Kindle Unlimited?  Check out my post: 7 Reasons I read Kindle Unlimited

For further discussion on reviews try our “Would you Rather…” post that asks writers to pick between two different kinds of negative reviews.  Or try Do Critical Reviews hurt me as a Writer?

Or consider 9 Things that Make a Book Good (For Me)7 Steps I take Before Posting a Bad Review

Best of Kindle Unlimited: Meg Elison

While most Kindle Unlimited authors are independent authors, there are a lot of wonderful traditionally published writers too. Meg Elison is one author offering her work through Kindle Unlimited and winning the game.  

Elison is an essayist whose debut novel The Book of the Unnamed Midwife is a Philip K. Dick award winner.  In terms of quality, it’s hard to aspire for more within the science fiction genre.  Her stories are griping, emotional, and intellectual.  I love the questions her works pose and the journey her stories take me on.  Her presence on Kindle Unlimited helps to elevate the whole platform.  

Take Aways from Meg Elison’s Success:

1.  The female perspective and discussion of traditionally female centered issues have an audience.  While I’d argue “women’s’ issues” ARE human issues and everyone should listen and discuss them as they affect every man and woman, Elison does a beautiful job portraying that point within her fictional world.  She posits what would happen if women and children were rare commodities.  She explores several manners of extremism and different responses.

2.  LGTQ+ or GRSM (gender, romantic, and sexual minorities) as I prefer to group (it’s more inclusive and less letters to get there) and other controversial issues can be highly palatable and enjoyable in fiction.  Elison uses a fictional vehicle to explore core issues of identity and expression.  Self expression isn’t a minority issue, it’s a human one and this kind of exploration is compelling to a larger reading audience than a writer may assume.

3.  Don’t flinch from controversial subjects period.  Elison’s politics are all over her books and the view point creates a more interesting compelling narrative (even when one doesn’t agree with her take).  Perhaps the controversy even helps selling books?  I don’t know if Elison succeeds in spite of or because of the controversy in her books, but I know writers can take her success as a sign they don’t have to self censor to find a market.  We should write fearlessly and explore any theme we find compelling without angst.

4.  Play with different lengths and styles of writing.  Elison has a background as an essayist, if she’d stuck to that format she wouldn’t have an award-winning novel and a widely read series.  And who knows how much her essayist background helped form her style/craft to where she could pull together a thoughtful, griping, and lean manuscript.

5. Whatever you write and whatever your goals are, pursue them with a single minded passion.  When reading Elison’s book, it’s clear she cares about all the subjects she introduces to her manuscripts.  She’s invested in her writing and making her point and readers can see that level of commitment and will respond  

Looking for other great Kindle Unlimited Series? Check out our earlier write up on Amy A. BartolSara C. Roethle,  T. A. White, or Charlie N. Holmberg.

Wondering why Kindle Unlimited?  Check out my post: 7 Reasons I read Kindle Unlimited

For further discussion on reviews try our “Would you Rather…” post that asks writers to pick between two different kinds of negative reviews.  Or try Do Critical Reviews hurt me as a Writer?

Or consider 9 Things that Make a Book Good (For Me)7 Steps I take Before Posting a Bad Review

Best of Kindle Unlimited: Charlie N. Holmberg

Magic Bitter, Magic Sweet cover from Goodreads.com

While most Kindle Unlimited authors are independent authors, there are a lot of wonderful traditionally published writers too. Charlie N. Holmberg is one author offering her work through Kindle Unlimited and winning the game.  

I found Holmberg through Followed by Frost a take on the Ice Queen fairy tale that borrows elements of the original fairy tale while creating a new story.  Her lyric descriptive writing and the characters she explores through her writing drew me in.  

Later that year I read Magic Bitter, Magic Sweet and thought to myself “this style is a lot. it reminds me of Followed by Frost.”  Turns out Charlie N. Holmberg wrote both.  Magic Bitter, Magic Sweet is my favorite of all of her works to date.  It takes the fun elements and themes in Followed by Frost and brings them to their largest showcase.  There are several fairy tale character references.  Marie explores some same territory Smitha did, though the characters approach the themes from two different personalities.  At the core of all the action is an emotional and ethically based.  

This year I’ve returned to Holmberg’s work and read Smoke and Summons and Myths and Mortals.  Her writing continues to grow and evolve in ways I appreciate.  These worlds hold the same completing characters but the live in a unique imaginary world that’s well thought out.  Holmberg fleshes out the world and magical system in a way that feels seemless and effortless to readers (though the writer in me knows how hard it is not to shove in an exposition dump).  Myth and Mortals ends with a cliff hanger I did not appreciate, but I enjoyed the whole so much, I’m looking forward to Siege and Sacrifice

Holmberg is a fantasy writer to keep an eye on and I’m not the only one who appreciates everything her stories offer.  Disney picked up the rights to Paper Magicians.

Unlike other pics for my Kindle Unlimited Series, Holmberg has her share of attention and some may ask why I highlight her.  Truly, I enjoy her work and perspective.  I see a lot of what I’d like to do in what she’s doing and I think our writing goals are similar.  It’s hard not to look at someone succeeding in a way I want to and not mention her.

Take Aways from Charlie N. Holmberg’s Success:

1.  Pretty and descriptive elements of a work can be a successful stylistic choice.  Often readers and writer discuss how today’s market is over-saturated and we need to jump into the action right away.  This suggests short prose that lack a singing quality, but Holmberg balances movement and description.  Write out the description for the first draft and look to the second draft to balance pacing.  The market doesn’t require brusque hops from action to action for success.

2.  Traditionally “feminine” characteristics and emotional story lines work in fantasy writing.  When readers/writers think “fantasy” genre we often think an epic scale battle and escapism.  Holmberg’s works create personal emotional investment and often lack an epic “world in peril” element.  The characters’ worlds are at risk, but the universe will be fine if these characters die or fail.  There’s a market for emotional small scale fantasy, there may even be a demand for it.

3.  Everything doesn’t have to be “sexy” or sexual in someway to create tension.  Something I love regarding Homberg’s works is the way she can build tension without ever resorting to sexual tension.  Yes some of her characters fall in love and face the traditional “do they love me back” dilemma but it’s never overblown.  The characters set this controversy aside when mortal peril intervenes.  They confront attraction when it keeps them from meeting their goals and they either embrace a relationship or move past rejection.  Relationships in her books feel real, organic, and warm, not an element existing to drag out the plot.

4.  Using fairy tale references in a work appears to either be popular or to help bolster a works attention or not hinder the work’s ability to reach a large audience.  As a writer who uses a lot of myth and legend in my writing, this encourages me.

5. Take your time and perfect your story.  Holmberg is very open regarding how many stories she queried before getting traction with “Paper Magicians.”  The first or second book you write might not be the one, if you publish traditionally.  For indie authors it’s more a message of “don’t be disappointed if your debut novel doesn’t break records.”  

6. Have a posse of like-minded writers to bounce ideas off of. Holmberg is part of a Deep Magic e-zine that looks to create “clean fantasy.”  Working together with other writers to keep your themes out in the public eye will help find like audience and also is a great service to other writers in the same genre.  If you’re an Alabaman local, might I suggest our North Alabama Writers’ Group Meeting?

Looking for other great Kindle Unlimited Series? Check out our earlier write up on Amy A. BartolSara C. Roethle, or T. A. White.

Wondering why Kindle Unlimited?  Check out my post: 7 Reasons I read Kindle Unlimited

For further discussion on reviews try our “Would you Rather…” post that asks writers to pick between two different kinds of negative reviews.  Or try Do Critical Reviews hurt me as a Writer?

Or consider 9 Things that Make a Book Good (For Me)7 Steps I take Before Posting a Bad Review

Preparing For the Leap

My writing is intensely personal.  Sometimes I want to explore a theme or idea.  Sometimes I’m writing through an emotion (usually panic).  Sometimes I write for control.  Always, my writing process is 100% about me.  


But my writing is not so self centered.  After the first explosion of words, I read.  If there’s value, I edit and revise the work to best stress what’s good.  For example: I wrote Nimgauana’s Undertaking because I was afraid after the election of Donald Trump.  I kept revising and working on the story because I enjoyed the message of hope in the face of cruelty.  

 Blood Moon also shares post election desperation.  This short work rocks because it features a female character owning her own persona.  In “Blood Moon” I hope others get a taste of the emotional state living next door to darkness and danger may provoke.

Many things inspired Follow Me: Tattered Veils.  It central action comes from a dream.  While ruminating over the dream, thinking of the full possibilities of that dream if played out, I saw how much I missed writing, and I realized how miserable I was in a job stealing over 60 hours a week from me.  I wrote Follow Me to take back my identity and to find my joy again.  Imagine my surprise when I shared parts of it and realized I wasn’t the only one who thought it was good.  My book could be so much more than my escape and that made me want things for it.  I think loving something like this and wanting others to see what I love in it, has to be deeply personal.


But Follow Me: Tattered Veils is about to live in two worlds.  On one side lie my hours of work, my emotions, my intentions, my joy and heartache.  On the other side, are the readers and they won’t have any relation to me or my book except for a cover (someone else designs) and a back of the book description.  


It’s like my book is all grown up and going on blind dates. 


This isn’t a plea for readers to be kind to my book.  Part of what’s exciting about releasing a published work is hearing feedback on something that’s lived alone in my head for so long.  It’s more an essay on how a book can mean something specific to its authorand readers can and should get something different when they read it.  To me, this is a cool phenomenon I don’t think we explore enough.  


Both readers and writers shut down the conversation by arguing who has the “right” to assign meaning to a work. Readers will tell a writer “if you meant X you should have been more clear.” and writers retort with “I wrote the thing, I know it’s meaning.”


Let’s end the debate on who has a right to interpret the book.  We’re both correct.  


As the writer, I created Follow Me: Tattered Veils and I could do a chapter by chapter review of what each line means and why it’s there.  I could tell you about all the other options I considered and why I discarded them.  While those kinds of conversations are interesting, they are not the definitive end all be all to what Follow Me: Tattered Veils could mean.  

How do I know this? 

As a reader, I’ve created essays on meanings of other people’s books.  I’ve gone chapter by chapter, line by line sighting how they built point x or built in a secondary plot y.  People bring their own viewpoint and life experience with them to any piece of fiction.  This combined with the words an author provided makes its own truth.  


And I can’t wait for Follow Me: Tattered Veils to go on that second journey.  We’ve traveled together for so long, but our paths are about to diverge.  While I work on my next story, I’ll look at a parallel road and see “Follow Me: Tattered Veils” traveling with new companions, and experiencing unknown response.  It creates a butterfly feeling in me that’s not quite joy or fear.  


What do you think?  Does an author release their “right” to the end all be all interpretation when they release their work?  How you you see reader feedback, is it meant for reader and writer to build something together, is it meant only for other readers, is it something else all together? Published authors/creators: what is your relationship with your readers/viewers? Does their interpretation of you work affect what you do next or how you approach other projects? Does it change how you feel about your own work?

 Do your feelings on the viewer’s rights/abilities to interpret creative work change based on the media (painting, sculpture, movie)?  Does who the person is affect their right to create meaning from a story?

Writing Prompts for Fors Fortuna

Queen of Hearts public domain via publicdomainvectors.org

Introduction: 


This series of posts has simple goals: provide some basic history on a holiday/event from the past and use that history to spring board potential writing prompts and themes. For some, the history on its own will be enough to come up with some story ideas.  For others, I offered some starting points with themes, scenes, and possibilities I see for the holiday at hand.  


Happy writing and please share a snippet or link to your inspired works ^_^ I’d love to read them.

History: 

Fortuna is the Roman Goddess of fortune (both good and ill).  Her name translates to “she who brings.”  The common people and the slaves found her cult appealing because she offered an escape from poverty.  They offered small works of bronze to her in hopes she would “change their fate.”  Her popularity extended to the Middle Ages where Saint Augustine wrote “How, therefore, is she good, who without discernment comes to bother the good and to the bad?…It profits one nothing to worship her if she is truly fortune…let the bad worship her…this supposed deity.” (except from City of God).  

Her popularity preserved her image.  They depict her with a ship’s rudder, a ball or Rota Fortunae (wheel of fate) and a cornucopia.  In ancient times they sometimes represented her as veiled or blindfolded, but these associations where handed over to Justice in the modern era.

Very little lore or worship knowledge remains of Fortuna’s holidays.  I suspect that the popularity of the commoners, that kept her imagery and idea in circulation long after the fall of Roman aristocracy but we’ve lost her rituals and lore somewhere in their oral traditions. 

Fortuna’s rein included Roman leaders.  One of her aspects was the Fortunat Publica (the official good luck of the Roman People).  On April 5th this term meant “everyman’s luck” and how each man has his own access to his fate (male idea).  But it had reaching impact on Roman leaders.  Fortuna in this guise became chance events tied to the virtus (strength of character), so public officials who lacked this virtue invited ill fortune on themselves and all of Rome.  

On June 24th (or perhaps Midsummer), a celebration on the anniversary of her temples’ completion took place.  Followers would float downstream on decorated boats and barges (or walk along the river) from the city to Fortuna’s temple.  When at the temple they would drink, play games of chance and place bets.  Scholars believe this was a holiday filled with mirth and joy.  

As the day closed, followers would row back home drunk and adorned in garlands.  Some speculate that Fors Fortuna was sacred to gardeners and florists.  They would go into market on this day with songs and prayers for Fors Fortuna and those celebrating her day would buy the flowers to decorate themselves, the boats, and her temple.  Minimally, it seems a lucrative time for gardeners and florists.  

Sources: 

Wikipedia org

Britanica.com

thaliatook.com

latinata.com

Writing Prompts

1. We all have lucky habits or superstions that bring good/bad luck to us.  Write a story that incorporates these newer superstions with the older practices of Fortuna.  

2. Luck is an ambiguous term.  Some people believe it’s the capricious nature of life and others believe one “makes their own luck”.  Which way do your characters lean?  Write an event that changes their minds.  

3. What would a character look like with maxed out luck stats?  Would that mean they had good or bad luck?  Would their life be full of extremes?  Would they have a relationship with Fortuna or another luck goddess?  Write an origin.  

4. Are casinos and gambling spaces modern shrines to Fortuna?  Would a day playing poker or roulette mirror the joviality said to happen on the 24th?  And if a casino is Fortuna’s temple and “the house always wins” what does this say about Fortuna and her relationship to her worshipers? 

5. How would Fortuna judge a modern leader’s virtus?  Or any leader’s virtus throughout history?  Does she have a hand in the rise and fall of empires or has she slacked on her duties? 

6.Fortuna’s name means “she who brings,” it’s an evocative start to any story.  What has she brought you or your character?

7. St Augustine makes an interesting implication in his writing regarding Fortuna.  He implies to be a god one must be “good” or at least to be a god worthy of worship one must be “good”.  But Fortuna, like God is capable of good and ill.  She has a code where the ill she offers men comes from their own weakness, much like the God Augustine worships.  Explore this dissonance further in a fictional story.  

8.  In her time, Fortuna was a lesser known, less powerful goddess, yet her name recognition today is stronger than many of the more common gods of the time. “Wheel of fate” is still a common expression.  What themes transcend time and space?  Write a story set in the future, the present, or the past and connect it to far-flung time relatives.  OR connect a theme across species.

9. What happened at the temple on June 24th?  Write “A Day in the Life” story regarding the celebration or worship. 

10. Did Fortuna ever change someone’s fate?  Write a “rags to riches “story.

Enjoy these prompts and looking for more try my post with prompts for Midsummer or Matralia

Churn and Burn

Prismatic gears from Public Domain

My fellow writer Zach Stanfield wrote “Addicted to Torment” where he discusses his struggles to produce a cohesive story.  It’s an interesting glimpse into one writer’s journey and I recommend looking at his personal struggle to get words on the page.  

Like him, I plan to confess my “writer’s flaw”.  

I am the Johnny-types-a-lot of our NAWG group.  If you measure success in words on a page alone, I am the rapid pace rabbit you’ll hound.  I churn and burn words like a binge drinker pounds back shots.  And like all those party people, I care about the quality of the words on the page about as much as they care about the brand of vodka in their drinks.  

So when we come to writers’ group and go around the circle asking “have you written anything?”  

I can say “Yeah I sat down for three hours and pushed out five thousand words, I’m a thousand words away from resolution.” or “I sat down this weekend and wrote ten thousand new words on my novel.”

The looks I get—the surprise alone—I feel like I will turn into Kanye West.  “I am a creative genius and there is no other way to word it.” 


Lol.  I do not want to debate Kanye West’s claim, but I will say my claim to creative genius carries minimal weight.  More words means I have more editing to do than my peers do.  Over half of what I write is scrapped in the second draft. 


Take my efforts in Follow Me: Tattered Veils.  I wrote an 80,000 word first draft.  The second draft is 73,000 words and about half of those words are brand new words I designed for the second draft.  Of  the original 80,000 words, readers may see what 30,000 of them (and those also needed intense edits)?  


This doesn’t count story boarding or deleted scenes. To get that 80,000 word first draft, I have about 30,000 words in scenes no one but me ever read.  I needed to write those scenes, but as the manuscript evolved, I realized they couldn’t serve the story.


I can hear some people saying “You still came out of that with a novel.”  and yes, that’s true, but I would not say the volume of words I string together are why I have the novel.  My determination, my grit, my commitment.  These are things you need to have a complete manuscript.  A willingness to try something, anything, if the manuscript isn’t working.  Looking at elements you thought your manuscript would center on and culling them when it turns out those beliefs are wrong.  You need to endure painful change for the sake of creating the best work you can.  Mass producing a million words to a page will not bring a writer closer to the glorified novel.  


I’ll go further.  Writing in quantity forces me to spend a significant portion of time reading and editing my work.  This is time I could have written other things.  Most of my writers’ group has published a short story and I have not.  One reason for this is my obsession with my novel and my inability to write the right words the first time.  Maybe if I stopped and thought more, looked at the cursor blinking on the page as Zach does, I would realize on the first draft “my novel isn‘t going in this direction and these scenes are superfluous.”  


What I’m trying to get at: all writing styles have pros and cons. Inundating myself and others with heaps of words may look impressive, but it’s more bluster than you may imagine.  


Talk to me.  What’s your writing style?  What are your writing goals?  Give me a writing confession! I would love to hear more about others’ process or their current manuscript goals.